theater just today. Weâd bought some new guy-rope yesterday and I needed a sharp knifeââ
âI know all about your ownership of the knife,â Newby smiled. âThe question isnât who owned the knife, or even who put it in the tool chest. Itâs who took it out of the chest and used it on Benedict. Miss Truslowââ
âExcuse me,â Ellery said. The chief was startled into silence. âRoger, when did you tape the handle?â
âTonight, after the play started. Iâd used it in replacing a frayed guy-rope and I hadnât been able to keep a good grip on it because my hands were sweaty from the heat backstage. So I wound electricianâs tape around the haft in case I had to use it again in an emergency during the performance.â
âWhen did you drop it into the chest?â
âNear the end of the act.â
âI thought Iâd made it clear, Mr. Queen!â The whiplash in the policemanâs voice was no longer lazy. âInterrupt once more and out you go.â
âYes, Chief,â Ellery murmured. âSorry, Chief.â
Newby was quiet Then he said, âNow I want to be sure I have this right, Miss Truslow. You claim you went from the stage straight to your dressing room, you stayed there all the time Benedict was being knifed in the room right under yours, you didnât hear a sound, you didnât come down till after Benedict was found dying, and at no time did you touch the knife. Is that it?â
âThatâs it.â Joan jumped up. âNo, Roger!â She walked steadily over to the footlights. âNow let me ask you a question, Chief Newby. Why are you treating me as if youâve decided I killed Foster Benedict?â
âDidnât you?â Newby asked.
âI did not kill him!â
âSomebody said you did.â
Joan peered and blinked through the glare in her eyes. âBut thatâs not possible. It isnât true. I canât imagine anyone making up a story like that about me. Who said it?â
âBenedict, in the presence of witnesses, a few seconds before he died.â
Joan said something unintelligible. Newby and Ellery sprang to their feet. But Roger was closest, and he caught her just as her legs gave way.
ACT III. Scene 1.
Ellery awoke at noon. He leaped for the door and took in the Record , with its familiar yellow label conveying the compliments of the Hollis. For the first time in years the Recordâs front page ran a two-line banner:
MURDER HITS WRIGHTSVILLE FAMOUS STAGE STAR SLAIN!
The account of the crime was wordy and inaccurate. There were publicity photos of Benedict and the cast. The front page was salted with statements by Dr. Farnham, members of the audience, cast, stage crew, even police. Chief Anselm Newbyâs contribution was boxed but uninformative. The Record quoted Scutney Bluefield (âThe Playhouse must go onâ), Archer Dullman (âNo commentâ), and Ellery Queen (âAny statement I might make about Benedictâs death would encroach on the authority of your excellent police chiefâ). There was a story on Mark Manson under a one-column cut showing him at a bar, uninjured arm holding aloft a cocktail glass (âMr. Manson was found at the Hollis bar at a late hour last night on his discharge from Wrightsville General Hospital, in company of his manager, Archer Dullman. Asked to comment on the tragedy, Mr. Manson said, âWords truly fail me, sir, which is why you discover me saying it with martinis.â With the help of this reporter, Mr. Dullman was finally able to persuade Mr. Manson to retire to his hotel roomâ).
A choppy review of the first act of The Death of Don Juan showed evidence of hasty editing. What the original copy had said Ellery could only imagine.
The sole reference in print to Joan was a cryptic âMiss Joan Truslow and Mr. Roger Fowler of the Playhouse staff could not be located for a