for a moment as if waking up the internal steam for the next thought, then said, in a careful kind of voice, ‘You really would think they were born to it!’
‘I can’t say I’m surprised, Dick,’ said Harry. ‘The clacks peoplesay the same thing. It’s uncanny but it seems that they automatically understand mechanisms, so be careful as they like to take things apart on the fly just to see what they do. But once they understand how whatever it is works they seem to put it all back together again. There’s no malice, they just like to tinker with the best and, you know what, sometimes they improve things. How can you explain that? But if I was you I’d have one of you three sleeping under Iron Girder of a night just so they don’t get creative.’
The following day Moist von Lipwig was gently awakened by Crossly, who as yet had failed to grasp his master’s attitude to sleep, a fact which was reinforced by Moist turning over in bed and saying, ‘Mumble mumble grunt mumble groan mumble off!’ The sequence was repeated three minutes later, with the same response, this time with the emphasis on the last syllable, uttered three times with increasing volume.
Subsequently – in fact and to be precise, fifteen minutes later – Moist von Lipwig was pulled out of the arms of Morpheus by the none too gentle prodding of a blade belonging to one of the Ankh-Morpork palace guards, a species he didn’t like very much in any case because they were stolid and dumb. Admittedly, so were the majority of the City Watch, in Moist’s opinion, but at least
they
were
by and large
creatively and, at least, humorously dumb, which made them a lot more interesting. After all, you could talk to them and therefore confuse them, whereas with the palace guards, well, all they knew was how to prod, and they were quite good at it. It was wise not to put them to any trouble, and so Moist, fully conversant with how this sort of thing worked, dressed grumpily and followed them to the palace, and undoubtedly an audience with Lord Vetinari.
The Patrician was, unusually, not at his desk, but paying attention to something on the large polished table that filled one half of the Oblong Office. He was, in fact, playing. It seemedridiculous, but there was no denying it: he was watching a children’s toy quite intently, a little cart, or trolley of some sort, on a little metal rail, which allowed it to scuttle continuously in a circle for no readily apparent reason. He straightened up after Moist coughed loudly and said, ‘Ah, Mister Lipwig. It’s so kind of you to come …
eventually
. Tell me, what do you make of
this
?’
Somewhat perplexed, Moist said, ‘It looks like a children’s plaything, sir.’
‘In fact it is a very well crafted model of something much bigger and far more dangerous.’ Lord Vetinari raised his voice and said, as if talking not only to Moist but to the world in general, ‘Some might say that it would have been easy for me to prevent this happening. A stiletto sliding quietly here, a potion dropped into a wine glass there, many problems solved at one stroke. Diplomacy, as it were, on the sharp end, regrettably unfortunate, of course, but not subject to argument.
‘People
might
say that I wasn’t paying attention and through neglect of my duties allowed the poison to seep into the imagination of the world and change it irrevocably. Perhaps I could have taken some action when I first saw Leonard of Quirm doodle something very much like this little toy in the margins of his drawing of the “Countess Quatro Fromaggio at her Toilette”, but of course I would rather shatter the most priceless antique vase than see any harm come to one hair on that most useful and venerable head. I thought it would go the way of his flying machines, nothing more than a toy.
‘And now it has come to this. One simply cannot trust the artificers; they design some terrible things for the sheer love of doing so, without wisdom, foresight