with the coffee and muffins, I havenât got far, but I have got something. âI like them, donât I?â
âYou like what?â
âSorry. I mean I like Gutterfly. Right?â
Kyle glances down at his shirt. âYeah, lots of people do these days. Their last album made them annoyingly popular. You remembering more?â
âNot sure. They have a song that goes like this?â I hum some melody that popped into my head a minute ago.
Kyleâs face brightens as he takes the lid off his coffee and waves away the steam. âYeah, thatâs them. Do you remember any of the music at the dance last night?â
I sip my coffee, grimace and add more sugar. âThe better question is whether I remember a dance last night. And no.â
The hopeful expression falls from Kyleâs face. Now I feel guilty. Did we go to the dance together? Did we have fun? I want to know. I want to believe we did.
I run my fingers around the edge of the cup. âMaybe it would help if you tell me more. Tell me about the dance and our classes.â
Tell me about myself. Iâm reluctant to say that part though. Although I trust Kyle for no good reason, Iâm reluctant to let on how much of myself Iâve lost.
âNever show weakness. Weaknessesâand never real onesâare only something to be expressed in a calculated decision when trying to reach a goal. Use fake weakness to manipulate other people. Donât let other people use your real ones to manipulate you.â
Thereâs that womanâs voice again. It grates on my ears. Or, well, my brain, since sheâs a memory. But thereâs value in what she says.
Vulnerability is dangerous. I should hide what I can. Even if Kyle is okay to trust, the paranoia remains.
Theyâre coming.
I know. Iâve met them. Stuff it already, brain.
Kyle seems to be considering, drinking his coffee thoughtfully. âThereâs a lot I could tell you. It probably makes more sense for you to tell me what you remember. Then I can fill in the gaps.â
The problem is: itâs mostly gaps. And the parts I remember are not things I think I should share. But right. I wonât let that on. Weakness is bad. Mission was secret. Got it.
âOkay, starting backward. Um, the dance.â I close my eyes, begging my mind to release more memories.
One finally comes with the force of a hurricane.
Nine is stalling me in the bathroom. âI think we should go over this makeup thing again.â
âAre you kidding? We spent the past half hour painting my face various shades ofâ¦â I consult the containers in my hand, ââ¦Desert Peach and Urban Twilight. Who names these things?â
âPlease. Who cares?â Sheâs practically whining, batting her non-mascaraed eyelashes at me.
Above, one of the fluorescent tube lights flickers. Maintenance was supposed to have fixed that yesterday, so how come itâs not done? Itâs making my eye twitch. Or maybe thatâs the makeup.
âYou leave me tomorrow for who knows how long,â Nine continues. âYouâre getting to GO.â
When she says it, the word is clearly in all caps.
Nine has made no attempts to hide her jealousy. Itâs for exactly that reason sheâs not the one who was selected. She wants it too bad, and that makes her untrustworthy. Iâve told her this, for all the good itâs done.
As for me, GO is a mixed blessing. My stomach knots when I think about it. Iâm ready for this. Iâve been preparing for weeks. Iâm trusted. Yet Iâm silently freaking out and donât want to show it. Showing it is weakness.
Actually, feeling it is weakness. Showing it would just be embarrassing.
I wave the containers at her. âI donât even plan on wearing this stuff. Itâs irritating, and if I rub my face, it smears. I donât like it.â
Nine rolls her eyes at me. âThink of it like camo
John MacCormick, Chris Bishop