about.â
She looked at him with curiosity.
âWould you still bring down the Tyrant Mysilos and his henchman Pittakos?â
Immediately she was on her feet. âNot here in the house. Come, walk with me by the columns of the loggia and tell me what is in your mind.â
In the sunshine she felt free from prying ears and eyes. âYou have some word of your brother?â
âYou are shrewd, Sappho.â
âBut how? He has not had time to reach Egypt.â
âHe left a message that I just found.â
âWhat is it?â
Alkaios hesitated. âThe gods know, now that I am here I am afraid to tell you.â
She laughed at him. âFor what do you fear? Your heart or your head?â
âMy heart you have danced on with heedless feet until it is squashed flat with no life in it at all. But I have given some thought to the creeping poison they say Mysilos uses.â
She tossed her dark hair. âI do not fear him. And I donât believe there is a message.â
He drew a folded sheet of papyrus from his breast and showed it to her.
She looked from it to him. âWhat is it? A map of the city?â
âFirst, is this my brotherâs genuine name-stamp and seal?â
She frowned over it. âYes, of that I am quite certain. But these round dots?â Her frown deepened as she studied the sketch. âCould they be the stone markers pointing to the entrance of Mitylene?â
He nodded. âAnd the cross?â
She shook her head, puzzled.
âIt has to be the spot that holds the body of Melanchros.â
She grabbed his hand with all her strength, her eyes enormous in her face. âAlkaios, by the gods ⦠Where was this hidden and why did you not find it sooner? Perhaps the papyrus was placed there by Pittakos?â
âYou recognized Atreusâs seal. The map was hidden under the sundial in my garden, a spot he and I used when we were boys.â
âWhy did you not look there at once?â
âIt has been so many years. I told you, we were boys. But in thinking of it, it occurred to me that perhaps he had left a message, and I looked in the old place.â
Sappho was double-listeningâto him, and inside herself. âIt could be a trap,â she said. âAtreus could have been forced. It might be the price for a passage to Egypt.â
Alkaios rejected this angrily. âMy brother is of my house and lineage. He would not betray us.â
Sappho threw her arms wide, abandoning herself to joy. âThen we have brought down Pittakos and his straw man!â Her voice dropped to a whisper, and she brought her face close to his. âAlkaios, what would you say to a decayed body wrapped in its poor winding sheet, left moldering in the very center of the market square for all Mitylene to see?â
Alkaios did not share her enthusiasm. âA moldering body? You mean ⦠dig him up? Surely that is not a job for two poets.â
âWhy not? It is the highest duty of the poet to fight for freedom.â
He shook his head. âI have no taste for this enterprise. If you want to know, the thought of what we may find turns my stomach. And you, Sappho, areââhe searched for an inoffensive wordââdelicate.â
She glared at him. âSmall. Thatâs what you mean, small. It doesnât matterâwe will bring the others.â
âThere are too many to trust with the secret.â
âKhar, then. Khar will help us.â
Alkaios still wavered. âSuppose you are right and Atreus was forced? They will be watching the spot.â
âWe wonât do it tomorrow, or the next day, or the day after that. Eventually they will grow tired and not watch.â
âO Sappho of the violet hair. Why must we always be serious? If we are not engaged in plots, we are analyzing the work of Ionian Mimnermos, or Terpander of Antiss, or experimenting with lines based on different sounds
Dorothy Calimeris, Sondi Bruner