the share of one brought sinfully into the world, to consider the circumstances in which one of the parents had been a Carmelite monk, the chaplain in the Santa Margherita monastery, and the mother, to their even greater shame, was a nun in the same monastery at the time of conception, so truly they were sinners indeed, the manifest sinners in a scandal discussed all across Firenze for months, albeit relatively ordinary sinners, but sinners all the same, who would have remained so for a long time to come, perhaps even up until the very gates of Hell, if the extraordinary genius of Filippo Lippi, renowned all across Italy, had not, under the pressure of the Medicis, brought about a papal absolution from Pius II, who resolved the affair by “canceling them out,” that is, exempting them from their monastic vows — but he could only save them, he did not help the child any further, so that the stamp would remain forever upon little Filippo, whom his father, in vain, inundated with love, every sign of passionate love; never could he free himself from the anxiety of what would become of the child when he grew up, and this anxiety persisted for years and years, until the point when the child began to show that there was no need to be anxious on his behalf, because he would be able to stand on his own two feet and his talent would compensate for his impure birth, for he demonstrated such unparalleled intellectual sensitivity, and so adept at learning was he that he simply dumbfounded everyone around him; it was possible to see that this boy would be a great man, just like his father; he was, however, never instructed — neither by his father nor by anyone else; instead he only observed, continually, regardless of who was doing what in the workshop, or at home, or on the street, the child watched silently, and he asked questions, and when he saw his father beginning to draw, he began to draw too, he took a wooden board and a bit of charcoal and he copied every movement precisely, observing how his father made a large sweeping arc with the charcoal, and the arc on his drawing curved astonishingly in the same way, but it was like that with everything, the child observed everything thoroughly, he was able to sit silently for up to an hour beside the blacksmith of Prato and watch how perhaps three pairs of horses were shod, he was able to spend long hours on the banks of the stream, observing the ripples in the water, and the light on the rippling surface, in short when he had achieved his sixth year, his parents were no longer anxious for him; his father was certain that the fruit of his deeply passionate love, sinful and yet preordained, had been taken into the protection of the Lord, he brought his son with him wherever he could, even to Spoleto, where he was at work on the Cathedral; on the building site the child, alongside the chief scribe, performed the duties of a kind of assistant, for he was capable of that too, confirming his aptitude everywhere and in everything, and in addition swept everyone off their feet with his gentleness and sensitivity, although as a result his parents were subjected to a different kind of worry, that is to say that the child’s health was not in good order; he was always catching a cold, he wouldn’t dress warmly enough; his throat was already swollen and he would be bedridden for days, so the problem was then the state of his health; his parents never managed to tell him enough that he had to take great care, even in 1469, when his father lay on his deathbed, and charged the boy with the completion of the fresco of the Holy Virgin that he had begun in the Cathedral; no, not even then, and even there, did he fail to remind his son to dress very warmly while he was working, as in the Cathedral it was always too chill, and under no circumstances should he drink cold water while at work; and of course what could Filippino do but promise to adhere to his father’s words, but then he didn’t keep
Gillian Doyle, Susan Leslie Liepitz