quite a few people we sat down on the bench to rest.
We had been resting and looking at every body and it was indeed the vie de Bohème just as one had seen it in the opera and they were very wonderful to look at. Just then somebody behind us put a hand on our shoulders and burst out laughing. It was Gertrude Stein. You have seated yourselves admirably, she said. But why, we asked. Because right here in front of you is the whole story. We looked but we saw nothing except two big pictures that looked quite alike but not altogether alike. One is a Braque and one is a Derain, explained Gertrude Stein. They were strange pictures of strangely formed rather wooden blocked figures, one if I remember rightly a sort of man and women, the other three women. Well, she said still laughing. We were puzzled, we had seen so much strangeness we did not know why these two were any stranger. She was quickly lost in an excited and voluble crowd. We recognised Pablo Picasso and Fernande, we thought we recognised many more, to be sure everybody seemed to be interested in our corner and we stayed, but we did not know why they were so especially interested. After a considerable interval Gertrude Stein came back again, this time evidently even more excited and amused.She leaned over us and said solemnly, do you want to take french lessons. We hesitated, why yes we could take french lessons. Well Fernande will give you french lessons, go and find her and tell her how absolutely you are pining to take french lessons. But why should she give us french lessons, we asked. Because, well because she and Pablo have decided to separate forever. I suppose it has happened before but not since I have known them. You know Pablo says if you love a woman you give her money. Well now it is when you want to leave a woman you have to wait until you have enough money to give her. Vollard has just bought out his atelier and so he can afford to separate from her by giving her half. She wants to install herself in a room by herself and give french lessons, so that is how you come in. Well what has that to do with these two pictures, asked my ever curious friend. Nothing, said Gertrude Stein going off with a great shout of laughter.
I will tell the whole story as I afterward learnt it but now I must find Fernande and propose to her to take french lessons from her.
I wandered about and looked at the crowd, never had I imagined there could be so many kinds of men making and looking at pictures. In America, even in San Francisco, I had been accustomed to see women at picture shows and some men, but here there were men, men, men, sometimes women with them but more often three or four men with one woman, sometimes five or six men with two women. Later on I became accustomed to this proportion. In one of these groups of five or six men and two women I saw the Picassos, that is I saw Fernande with her characteristic gesture, one ringed forefinger straight in the air. As I afterwards found out she had the Napoleonic forefinger quite as long if not a shade longer than the middle finger, and this, whenever she was animated, which after all was not very often because Fernande was indolent, always went straight up into the air. I waited not wishing to break into this group of which she at one end and Picasso at the other end were the absorbed centres but finally I summoned up courage to go forward and draw her attention and tell her of my desire. Oh yes, she saidsweetly, Gertrude has told me of your desire, it would give me great pleasure to give you lessons, you and your friend, I will be the next few days very busy installing myself in my new apartment. Gertrude is coming to see me the end of the week, if you and your friend would accompany her we could then make all arrangements. Fernande spoke a very elegant french, some lapses of course into montmartrois that I found difficult to follow, but she had been educated to be a schoolmistress, her voice was lovely and she was very