knew it, and he respected it. And thatâs all he would ever know.
He wouldnât look at me the same way if I told him the rest.
âYou know Iâm always here for you,â he said.
âThanks love,â I said. But you wouldnât be. Not if you knew.
âAny time doll,â he replied. âNow get back to work. Youâve been promising to do my card for weeks. Itâd better be making its debut in your show.â
âWorking on it,â I lied. Because I wasnât entirely certain how I was going to do the Knight of Cups, though I knew it was his card. Emotional depth, steadfastness, poetic nature . . . Ethan to a T. Especially since, reversed, it indicated a severe narcissistic douchebag. A side of Ethan Iâd seen only on occasion.
He went back to reading and I went back to looking at photos of Egyptian tombs, trying to find the perfect statue for the interior of The Hierophantâs chamber. But I couldnât stop looking up at Ethan, wondering just how many times weâd be here, how many more weeks or days or hours we actually had together. Iâd felt the clock ticking ever since January, when we stood in the mailroom and sent out our applications and portfolios. Weâd started some celestial clockwork that morning. It was a tick I seriously wished I could slow.
Like I said, winter always made me think of beginnings and endings. This year, especially with Bradâs image once more haunting my dreams, it felt like less of a beginning and more of an end.
â¢Â  â¢Â  â¢
We left the teahouse around eight. The Hierophant was closer to completion and Ethan, to quote, âmight vomit if [he] read any more Dickens.â Plus the tea had gone cold and weâd eaten all of our baklava.
The roads were slick and the sky a blur of flecked white, and I think Ethan drove all of fifteen miles an hour the entire way back, which just meant we made it through an entire album, rather than half, like usual. We didnât talk. Didnât need to. I leaned against the window and watched the town and the trees flutter by like ravens in the snow, while he hummed along to the music and tapped out rhythms on the steering wheel. It was monotonous and familiar and lovely, and every single mile reminded me that soon, this too would be a last .
It wasnât like me to get nostalgic. Iâd had more than enough lasts in my life to get me over a fascination with the past. Which was probably why the night felt so unearthly, like I was watching Ethan and myself through a lens. And why I kept noticing the little inconsistencies in the white-and-black landscape: a broken tree, a flickering porch light, two crows on a mailbox. I needed something to cement this moment, to make it mine. To make it worth remembering.
Campus was sleepy by the time we arrived. A few vis art students wandered back to their dorms from the studio; musicians carried their heavy cases back to warmth. Every window was golden and electric, the common rooms in every dorm crowded with kids trying to cram in a few more minutes of socializing before sign-in and lights-out and an early morning of classes. Thank the gods I got to sleep inâno early morning art class spent staring at wrinkled bits.
Ethan and I parted ways in front of his dormâRembrandtâand I made my way down the quiet lane toward Graham. A few flecks of snow still fell from the sky, drifting down to fade out on my coat. There was a quietness here I didnât think I could live without. There were reasons Iâd applied only to tiny art colleges in the backwoods of New England. I needed the snow and the silence. They helped me think. And somehow, the expanse of it all helped calm the other thoughts, froze them into stillness. Something about the darkness always made me feel at peace.
I heard the door of the academics concourse open, and paused when someone called out my name. When I turned, Jane was already