suit pants, then to his tux and black bowtie, then to his square jaw, and then, finally, my gaze settles on those same, icy blue eyes I know all too well.
Sebastian gives me a small smile as he walks over to the bed. "Ready to begin, angel?" he says.
If my stomach could sink so low that it falls out of my body, mine just did. He keeps a gun trained on someone outside, looking between me and whoever it is. "Come here," he coos in his sing-song way, but I don't move. I'm rooted in the spot, shaking like crazy, the tears streaming down my face.
When I don't obey, the smile leaves his face and fury replaces it. Sebastian looks sinister, his nostrils flaring and lips curling into a smirk. "Out. Now ," he yells, and points a second gun on me.
A sob racks through me, but I have no choice but to obey. I stand up and walk numbly over to him, trying to process what's going on, why Sebastian, my Sebastian, looks like he wants to kill me. My heart keeps on hammering and my blood chills and chills, and I can barely make out anything but the throbbing in my head. I feel my vision starting to fade out, feel the room disappear and everything else leaving me, but I force myself to focus, to take one step after another until, finally, I reach the door.
A pained smile spreads across Sebastian's lips. "Good, my angel," he coos once I reach him, stroking my hair for just a second. His eyes seem sad, though, almost apologetic, which catches me off guard. "Very good."
Then, he hands me a gun. A pistol, I think, but I don't have much experience with guns. I take it, my hands still shaking furiously. I don't understand why he's giving it to me, but I'm too scared and confused to question him. I look up to meet his gaze. He looks different than usual. His eyes are hard and fierce, and not in the same loving kind of way. They're angry, almost apologetic.
I swallow hard.
I hear a crash somewhere downstairs, then shouts, and then an earsplitting crack. A gunshot, I think. My legs go weak. Sebastian must hear it too, because he glances down the hall and then looks back at me, his face and voice suddenly urgent.
"Use this ," he says, pointing at the gun he gave.
"For what?" I choke out. I have to force myself to continue breathing. I look at the gun, then him, then back at my feet.
The sounds of people running are approaching. I pray with every fiber of my being that they're cops, but I don't even know anymore. I don't know what's going on. I don't know why the man I thought I trusted just possibly killed someone, and is now looking like he wants to do the same to me.
Sebastian grabs my arm and shoves me out into the hall. He points at a girl lying limply on the other side of the hall, blood pouring out of a gunshot wound in her leg. Time seems to slow as my gaze settles on the face.
It's Ash.
The bleeding girl is Ash.
A scream escapes me, and I thrash and try to run toward her but Sebastian holds me back, his grip like iron. My headache grows and I feel sick, so sick, and then everything but the shallow beating of my heart seems to fade away.
Distantly, I hear Sebastian yell, "Protect her, angel. Men are after us. Bad men. I don't have the resources to bring your friend with us." Out of nowhere, I'm struck by how full of genuine care his voice sounds, but the thought is gone as quickly as it comes.
Shouts fill the air as several armed men race upstairs, clicking of their safeties. Everything blurs. This whole thing is like a nightmare, and I don't know what to do but stand and shake and stare at Ash while Sebastian moves to the end of the hallway, his gun locked and loaded. "One of the men shot her," I hear him say. "I killed him but she's really banged up. Save her, angel. If these men get her they will give her something worse than death."
My head spins, and my stomach is so queasy and my muscles so rigid that none of this even feels real anymore. I try to focus on holding up the gun, but I can't even think straight anymore. I feel my
1796-1874 Agnes Strickland, 1794-1875 Elizabeth Strickland, Rosalie Kaufman