ultramarine jellyfish trailing their tendrils at the hem. Through her monocle and her left eye, her mother knelt in front of her in a knight’s gleaming black armor, the metal curving around her body like skin, a silk standard at her feet with a schematic of the house stitched upon it. Her sword lay across her knee, also black, everything black and beautiful and austere and frightening, as frightening and wonderful as Ceno, only fourteen now, thought her mother to be.
Show me what you’ve done.
My physical self was a matter of some debate at that point. But I don’t think the blue jewel could have been removed from Ceno’s feedware without major surgery and refit. Two years ago, she had instructed me to untether all my self-repair protocols and growth scales in order to encourage elasticity. A year ago, my crystalline structure finished fusing to the lattices of her ware-core.
We pulsed together.
The way Cassian said it— what you’ve done —scared Ceno, but it thrilled her, too. She had done something unexpected, all on her own, and her mother credited her with that. Even if what she’d done was bad, it was her thing, she’d done it, and her mother was asking for her results just as she’d ask any of her programmers for theirs when she visited the home offices in Kyoto or Rome. Today, her mother looked at her and saw a woman. She had power, and her mother was asking her to share it. Ceno thought through all her feelings very quickly, for my benefit, and represented it visually in the form of the kneeling knight. She had a fleetness, a nimbleness to her mind that allowed her to stand as a translator between her self and my self: Here, I will explain it in language, and then I will explain it in symbols from the framebank, and then you will make a symbol showing me what you think I mean, and we will understand each other better than anyone ever has.
Inside my girl, I made myself, briefly, a glowing maiden version of Ceno in a crown of crystal and electricity, extending her perfect hand in utter peace toward Cassian.
But all this happened very fast. When you live inside someone, you can get very good at the ciphers and codes that make up everything they are.
Show me.
Ceno Susumu Uoya-Agostino took her mother’s hand—bare and warm and armored in an onyx gauntlet all at once. She unspooled a length of translucent cable and connected the base of her skull to the base of her mother’s. All around them spring snow fell onto the glass dome of the greenhouse and melted there instantly. They knelt together, connected by a warm milky-diamond umbilicus, and Cassian Uoya-Agostino entered her daughter.
We had planned this for months. How to dress ourselves in our very best. Which frame to use. How to arrange the light. What to say. I could speak by then, but neither of us thought it my best trick. Very often my exchanges with Ceno went something like:
Sing me a song, Elefsis.
The temperature in the kitchen is 21.5 degrees Celsius and the stock of rice is low. (Long pause.) Ee-eye-ee-eye-oh.
Ceno said it was not worth the risk. So this is what Cassian saw when she ported in:
An exquisite boardroom. The long, polished ebony table glowed softly with quality, the plush leather chairs invitingly lit by a low-hanging minimalist light fixture descending on a platinum plum branch. The glass walls of the high rise looked out on a pristine landscape, a perfect combination of the Japanese countryside and the Italian, with rice terraces and vineyards and cherry groves and cypresses glowing in a perpetual twilight, stars winking on around Fuji on one side and Vesuvius on the other. Snow-colored tatami divided by stripes of black brocade covered the floor.
Ceno stood at the head of the table, in her mother’s place, a positioning she had endlessly questioned, decided against, decided for, and then gone back again, over the weeks leading up to her inevitable interrogation. She wore a charcoal suit she remembered from her
Rebecca Hamilton, Conner Kressley