did you do this to yourself? Why didnât you send for your own lover? Why did you let me do these things to you? Where did you learn to betray yourself? Who taught you? Me. I suppose it was me.
We drove towards a small restaurant in Mayfairâan unsurprising choice and therefore in its way a soothing one. I gazed at the creamy silk reflection of myself in the carâs side mirror. I could safely assume that Elizabeth would be in black. I felt that Charles Hardingâs memory of his first dinner with Elizabeth should contain in its shadows my ivory-clothed figure. I thought how important it was to dress the part. Even when forced to wait in the wings.
Sir Charles was there before us. Elizabeth, by accident of course, was late. We sipped our drinks. And I felt him absorb my beauty with some interest, as we waited for the arrival of the one for whom the dinner really was intended. Grave, stark and with a graceful, understated apology, Elizabeth sat down.
Sir Charles had manoeuvred himself into our lives. I guessed that he rarely wasted time. And that the dinner would be the first of many.
I sat beside him. Elizabeth and Dominick sat opposite. Dominick, trapped, and Elizabeth less free than she knew. Elizabeth, believing herself to be part of a family outing, relaxed enough over dinner to entrance Charles Harding. I listened as she answered his delicately phrased enquiries.
âYes, Iâve kept my studio. I go there to paint. Every day. Dominick once explained to me in mathematical terms the beauty of its proportions. But I love it for its light, all of which comes through the skylight. So Iâm undistracted by windows onto gardens, or onto other houses. Itâs perhaps unkind of me to say so, but I find solitude even more important now.â
âWhy unkind?â
âOh, because everyoneâmy parents, Dominick, Ruth in particularâhas been so very supportive and good to me. And, of course, my darling son, Stephen, who has tried so hard to comfort me. It seems wrong ⦠unfeeling ⦠in the face of all this love to say that I need to be alone.â
âAnd your paintings? What are you painting now?â
âNothing.â
âNothing? But I thought you said you went there to paint.â
âYes. Thatâs true. I go there to paint. But I do not.â
I didnât know this. Will I ever know you, Elizabeth?
âWhy not?â Sir Charles asked.
âI donât know. But I know itâs right that I should go there every day. And one day it will be the right day.â
Sir Charles cleared his throat. Touched, no doubt.
âSo what do you do there?â
âI sit and wait.â
âFor inspiration?â I asked. This really had gone on long enough.
âI wait for the thing that is right for me to paint.â
âWhy not continue with the â¦â I remembered Hubertâs phrase ⦠âEnchantment?â
âBecause that would imply that Hubertâs death had not changed me.â
We were all silent.
âI must stop now. Iâve spoken more about me than is â¦â
âThan is your wont.â
âYes.â
âWell, hereâs to waiting ⦠for what is right.â Sir Charles raised his glass. I watched him drink her in. And I looked at Dominick, who innocently raised his glass to me and clearly didnât taste the pain.
FIFTEEN
----
âTell me about Charles Harding.â Helen and I were having lunch.
âWhy?â
âDidnât you know heâs trying to buy Alpha?â
âDoes that matter to you? Youâve never expressed an interest in the company before.â
âLetâs just say Iâm a hidden sort of person.â I laughed.
âI donât really know him all that well.â
âYou know him better than I do. So give me some idea.â
âWell, heâs feared.â
âBy whom?â
âIn publishing, of course. And in the