that I had also revealed something of myself. Which, for me, was always too much.
SIXTEEN
----
Charles Harding had invited us all to his house in Gloucestershire for Sunday lunch. We would come bearing gifts. Or more precisely the gift of Elizabeth. He should beware.
Dominick and I drove in silence. Earlier, we had had another conversation about our marriage. He had lain beside me, physically satisfied, or finishedâwhicheverâsome lonely sensuality draining from his face. His blond hair fell limply across his forehead. His eyes, without his glasses, seemed somehow out of focus as he stroked my hair and whispered, âRuth ⦠youâre breaking my heart.â
I sighed.
âYouâve got what you wanted. Me.â
We should not try to take what we know is not ours. Even if by some miracle it becomes available to us.
âDo you know what a catastrophe is, Ruth?â
âI think so.â
âNo. In mathematics. Do you know what the word catastrophe means ⦠in mathematics?â
âNo.â
âIt means âa system that disturbs another.â You have disturbed me. Youâve invaded me.â
âIndeed. Well, there are other invasions.â
I rose to shower. After the invasion. Modern woman, modern moves. So hygienic.
âWe have too many of these conversations.â My morning memory faded. We were now in the car.
âMaybe. You did pursue me, Dominick. And Iâm not breaking any promises. Look. Itâs a beautiful day. Letâs enjoy it. It will be interesting to see Sir Charles on home ground.â
I was anxious not to have an obvious tension between Dominick and me. So unattractive, so demeaning. In front of Charles. So I placated him.
A woman adoredâand of course I wasâcan do anything. Particularly when she makes so few mistakes. We were balanced. His love. My coldness. I wondered if Dominick understood how much he needed the agony. Probably not.
Charles Hardingâs house, Frimton Manor Farm, disconcerted me. Just outside a Cotswold village, it was a low-built, stone, seventeenth-century mansion. In place of the grandeur and opulence I had expected, the house exuded a mellowness and peace. It nestled behind a row of chestnut trees, which marked a sort of terrace at the end of a short poplar drive.
He stood in the stone porch to greet us. Then, he led us into a low-ceilinged drawing room in which a roaring fire, deep armchairs and an old carpet on the dark wooden floor all painted an image of the slow seduction of other times, and did so authentically. The house was not a lie. It was itselfâin structure, decoration and odour. And if ghosts haunted it, I wondered if it was because they were at ease there. And perhaps found heaven a little bright.
The polite cliches began.
âHow long have you lived here?â I asked.
âSince I was a boy.â
âHow lovely.â Oh, God.
âWhen did your family acquire it?â
âMy father bought it, when he married.â
A pause.
He was polite but bored. I didnât blame him.
Another car arrived, and in a minute Elizabeth stood in the porch. I watched his face tense. He was no longer bored. I wished I didnât know these things. Elizabeth, in black again, shook hands briefly, then kissed me. Oh, those false sisterly kisses. False sister.
Within fifteen minutes or so, my parents had arrived. We ate a simple lunch, served by a couple who seemed as much part of the house as the old silver and plain white linen napkins. Afterwards, we sat in a small sitting room for coffee. A portrait of a dark woman in a blue velvet dress gazed down at us. Surprisingly, it was Elizabeth who commented on its beauty.
âItâs a portrait of my wife,â he said.
A little silence.
âItâs four years ⦠now ⦠since she died.â
Murmurs of sympathy. Polite. Of no greater intensity or sincerity than an apology for disturbing someone who had been