wreckage of the meal. Finally, she pulled out a picture of her and Lily.
Two girls in Bermuda shorts and sandals, both laughing at the camera, their arms around each other. It was a bright summerâs day; you could see the way the sun made them squint. Lilyâs red hair was long. It hung on her shoulders like a curtain.
âWhen was this?â
âTwenty-five ago maybe. We were at some kind of film festival, a womanâs documentary film festival on Womanâs Day, May that year, I think. East Berlin, if you can believe it. Fucking East Berlin what was.â She snorted.
Without any make-up and the long hair, Lily looked incredibly young and very pretty. In the pink tank top, her shoulders were bony. Martha, who was wearing a green Dashiki over her Bermuda shorts, wasnât looking at the camera; she was looking at Lily.
Across the table from me, Martha gnawed the edge of her thumb. âOK, I had a thing for her, OK? I did. I didnât even know it. I mean itâs not like Iâm into women, exactly. I got married, I had kids, you know. Got divorced, too.â She forced a smile. âIt was just Lily. She was different. She was so alluring. Youâd go to arestaurant or a rally, people would look at her. I mean she turned heads, you know? Itâs the way I always thought of it. She turned heads. Also, sheâd do anything on a dare. She was physically fearless.â Martha snatched the picture off the table and shoved it back into the pile of pictures, snapped the rubber band on, pushed it back in her bag. âI guess I was sort of in love with her.â
I reached over and tugged her sleeve. âArenât we all?â
âThank you for that, honey.â
âYou call everyone honey?â
âOnly people I like.â
âItâs OK, you know, about loving Lily. Just talk to me about the other night when you saw her, OK?â
Martha said, âIâm trying. So you think thatâs why she wanted to see me, Artie? It sounds right, doesnât it? one of her causes?â
âDid Lily know thatâs what you do?â
Martha said, âSure she knew. Sheâd heard from a friend in London, a woman on the Guardian I know. She said she wanted to see the shelter I run. See what I was doing. Maybe meet some of the women. I wasnât at all sure it wasnât just her being nice about my work, the kind of thing you tell an old friend. I told her she better come wearing jeans or something, or theyâd think she was awfully hotsy-totsy, you know?â
âYou made the date?â
Martha nodded.
Battered women are one of Lilyâs causes. She puts a lot of time into an agency that runs shelters in New York, London, Third World countries. Her battered women are somebodyâs cast-offs, someoneâs humanjunk: a fourteen-year-old girl so badly burned by her boyfriend she stabs her own baby to death; a grandmother who puts up with a son-of-a-bitch husband who beats her to a pulp because itâs all she knows and thinks she loves him anyhow. Hopeless, sad, ordinary women, but not whores.
âYou think she got involved?â I said.
âHow?â
âI donât know.â
âWhat kind of prostitutes come to your shelter?â
âWhat kind are there?â
âCall-girls? Hookers? French? Foreign?â
âMostly they come off the street. Kids, a lot of them. The pimps bring them into town, the girls hit the streets, I clean up the mess afterwards. Bitches, the French cops call them.â She put on an accent. âBeech.â
âItâs big business?â
âVery big.â
âRussians?â I knew it was Russians. Whenever I was involved, or anyone close to me, there was usually a Russian connection. I could never completely shake it.
âSome Russians. A lot of them have more ambition now, you know, get a husband, be a supermodel. Thereâs Russian money around the Champs-Elysées.
Louis - Sackett's 13 L'amour