astronauts; there was nothing else on. Zulfi was lying down on his stomach, his head in his hands, and I sat on Papa’s side of the king-size bed, reclining and resting my head against the headboard. It was close to eight when the intercom phone rang. It was Nurya, a girl from my ninth-grade class at the Karachi American School. She was calling to arrange for us to meet over the weekend to discuss a school history project. I slumped down, leaning against the bed but sitting on the floor with my knees bent talking to Nurya. We were speaking when I heard the gunfire. It was a single shot and it sounded very close. I moved the phone from my ear and waited to see if Zulfi had heard it.
The sound was still ringing in my ears when several seconds later, the echo of the first shot was interrupted by a barrage of bullets. They were coming from right outside the window; I could hear the shooting as if the guns were firing over our heads. ‘Nurya, I’ll call you back!’ I screamed into the phone. I leapt across the bed and pulled Zulfi into my chest. He was so close to the window and though I had no idea what was happening, I knew that was the one dangerous position to be in in the event of gunfire. I carried him, skinny six-year-old Zulfi, into the dressing room, a small windowless corridor. I slammed the door shut and went over to the bathroom door. The bathroom hadwindows and connected to the dressing room. I closed the door tightly before sitting down with my back against the wall. Zulfi was small and gentle. His shiny black hair was parted neatly across his head. His bird-like features betrayed his sudden fear and confusion. While the shooting lasted, five minutes at the very least, and with no pause in the crack of the bullets, Zulfi huddled against me. I hugged him and pushed his face into my arms and chest, as if I could protect him from the sound. ‘Where’s Mummy?’ I didn’t know. I hoped she was still in the kitchen, it faced the other side of the house and the gunfire wouldn’t have been as close to her as it was to us.
We waited for a few seconds. It had stopped. I told Zulfi to wait for me; I was going to check where our mother was. As I stood up, Mummy burst into the bedroom screaming. ‘We’re here!’ I yelled and she threw open the door to the dressing room instantly pulling me into her arms and pulling Zulfi up off the floor. ‘Let’s go to the drawing room,’ Mummy said, breathing quickly. It too had no windows and was not as confined as the yellow dressing room we had been hiding in.
We sat in the drawing room for close to half an hour, waiting. The shooting had stopped and we asked our chowkidar , our gatekeeper, to check outside and tell us what had happened. The area was thronged with police, he said. They wouldn’t let him out of the house. ‘There’s been a robbery, there are dacoits outside,’ the police told the chowkidar . ‘Stay inside until it’s safe.’ Mummy sat on the sofa in the drawing room with her hands to her face. I paced up and down the room. There were no mobile phones in Pakistan then. They had been banned by the democratic government (who managed to keep a few for themselves before closing down the market for the rest of the country). We had no way of reaching Papa and no choice but to wait for him, patiently.
It was past eight in the evening and he should have been back home, but we tried not to worry. I grew more agitated with every minute. Not for one instant did I imagine Papa had been hurt. Maybe he had been arrested and the firing was the police signalling their victory. I worried out loud – there had been a lot of gunfire, morethan the typical burst of bullets one heard in Karachi in those days. ‘Don’t worry, Fati,’ said Zulfi as he swung playfully behind Papa’s green armchair, ‘it’s only fireworks.’ It must have been close to nine, forty-five minutes later, when I’d had enough. I couldn’t wait any longer. I told Mummy I was calling my aunt,
Benjamin Blech, Roy Doliner