comes to the Food Pyramid, but she has the right idea about death. I want my parents to stop sailing around taking pictures of Sudanese leper colonies. I want Wallow to row back to shore and sleep through the night. I want everybody in the goddamn family to leave Olivia here for dead.
But there’s my brother. Struggling with his own repugnance, like an entomologist who has just discovered a loathsome new species of beetle.
“What did you say?”
“I said I’ll go,” I mumble, not meeting his eyes. I position myself on the edge of the boat. “I’ll go.”
So that’s what it comes down to, then. I’d rather drown in Olivia’s ghost than have him look at me that way.
To enter the grotto, you have to slide in on your back, like a letter through a mail slot. Something scrapes my coccyx bone on the way in. There’s a polar chill in the water tonight. No outside light can wiggle its way inside.
But, sure enough, phosphorescent dots spangle the domed roof of the grotto. It’s like a radiant checkerboard of shit. You can’t impose any mental pictures on it—it’s too uniform. It defies the mind’s desire to constellate randomness. The Glowworm Grotto is nothing like the night sky. The stars here are all equally bright and evenly spaced, like a better-ordered cosmos.
“Olivia?”
The grotto smells like salt and blood and bat shit. Shadows web the walls. I try and fail to touch the bottom.
“Oliviaaa?”
Her name echoes around the cave. After a while, there is only rippled water again, and the gonged absence of sound. Ten more minutes, I think. I could splash around here for ten more minutes and be done with this. I could take off the goggles, even. I could leave without ever looking below the surface of the water, and Wallow would never know.
“Oli—”
I take a deep breath, and dive.
Below me, tiny fish are rising out of golden cylinders of coral. It looks like an undersea calliope, piping a song that you can see instead of hear. One of the fish swims right up and taps against my scratchproof lenses. It’s just a regular blue fish, solid and alive. It taps and taps, oblivious of the thick glass. My eyes cross, trying to keep it in focus.
The fish swims off to the beat of some subaqueous music. Everything down here is dancing—the worms’ green light and the undulant walls and the leopard-spotted polyps. Everything. And following this fish is like trying to work backwards from the dance to the song. I can’t hear it, though; I can’t remember a single note of it. It fills me with a hitching sort of sadness.
I trail the fish at an embarrassed distance, feeling warm-blooded and ridiculous in my rubbery flippers, marooned in this clumsy body. Like I’m an impostor, an imperfect monster.
I look for my sister, but it’s hopeless. The goggles are all fogged up. Every fish burns lantern-bright, and I can’t tell the living from the dead. It’s all just blurry light, light smeared like some celestial fingerprint all over the rocks and the reef and the sunken garbage. Olivia could be everywhere.
Z.Z.’s Sleep-Away Camp for Disordered Dreamers
Emma and I are curled together in the basket of the Thomas Edison Insomnia Balloon, our breath coming in soft quick bursts. I am stroking Emma’s cheek. I am spooning amber gobs of soporific dough into Emma’s open mouth, cadged from Zorba’s medicinal larder in anticipation of just such an occasion. (Sort of a cheat, I know, but it’s my first time doing this.) I am trying, desperately, to disguise the fact that this is the closest I’ve ever been to a girl’s face.
I was expecting some ineffable girl smell, dewy and secret, an
eau.
But Emma smells like dinner. Barbecue sauce, the buttery whiff of potato foil. Because it’s Emma, it’s still sort of hot.
“Just put your head here,” I say, in a tone that implies I’ve nuzzled dozens of sleep-disordered ladies. I try to ease Emma’s curly head into the crook of my arm and end
Dorothy Calimeris, Sondi Bruner