ask.
ââThat is all ye know on earth, and all ye needknow,ââ Marco finishes for you. âKeats. âOde on a Grecian Urn.â The enigmatic ending. Thatâs probably more an English major thing to study, but the connection between truth and beauty is interesting to debate. There could definitely be a philosophical discussion about that.â
âThe truth is sometimes ugly,â you say, thinking about doctors having to tell people that theyâre dying, teachers having to tell parents that thereâs something wrong with their kids.
âBut can there be beauty in ugliness?â Marco asks. âPeople still find beauty during wartime.â
Your brain is working overtime to keep up with Marco, but you like it. Itâs the most interesting conversation youâve had maybe ever.
âArenât beauty and ugliness opposites, though?â you ask. âHow can you find something in its opposite?â
Youâve turned and are walking parallel to the water, the waves lapping cold against your toes.
âThis guy I know,â Marco says, âphotographs rust-covered Dumpsters and corroded pipes, but he zooms in really tight, so you canât tell what youâre looking at. And itâs kind of gorgeous. It looks like modern art, all color and emotion.â
âSo youâre saying ugly can be beautiful.â You look over at him.
âAnd beautiful can be ugly,â he says. âBut some-times, beautiful is just beautiful and ugly is just ugly.â
You laugh. âNothing is everything, but sometimes everything is everything and nothing is nothing.â
âPretty much.â His dimple is back, and you fight the urge to poke your finger into it.
âDid you have a final destination in mind?â you ask him.
He points to the rocks about a dozen feet in front of you. âThe jetty,â he says.
âI used to climb on those rocks with my cousin,â you tell him.
âI did, tooâwell, not with my cousin. Or your cousin. By myself,â he answers. âMaybe we used to see each other.â
You try to remember seeing a smaller, younger version of Marco on the rocks, but you canât. âI wasnât here that often,â you say. âUsually just for a few days each summer.â
Youâve made it to the jetty, and Marco starts to climb. You follow, until youâre both balancing on top of the closest rock.
âHow daring are you?â he asks.
The truth is usually youâre not very daring at all, but somethingâs different now. You decide to be as daring as Marco wants you to be.
âVery,â you answer.
His dimple comes back for another visit, and he steps from your rock to the one in front. âFollow me then.â
You do, and carefully put your feet wherever heâs put his, as you move farther and farther out into the ocean, balancing on the slippery black boulders. When youâve reached the farthest point on the jetty, Marco stops. You stop next to him.
âThis is my favorite spot on the whole beach,â he says. âThe waves, the wind, the height up here. Itâs beautiful beautiful, not ugly beautiful.â
He closes his eyes and tips his face up toward the sun. You close your eyes, too, and feel your hair whipping behind you in the wind.
âYou look beautiful beautiful, too,â Marco says. âLike you could command the ocean. Like youâre its queen.â
You open your eyes and look at him. His face looks so open that you can tell itâs not a line. Heâs being honest. What was that about truth and beauty again?
Something in you melts a little.
âIf Iâm a queen,â you say, âI think that means I need a king. You interested in the job?â
Marco slides his arm over your shoulder. âIt would be an honor,â he says. You lean your head against his and look out at the ocean. A queen with her king, ready to command