canât see a sign of her anywhere. I canât imagine a person could run as fast as sheâd have to to disappear like this and still keep playing that sleepy music.
When Robert stands up, I scramble to my feet as well.
âWhatâs going on?â I ask him.
âShe let it take her away.â
âWhat do you mean? Take her away where?â
But he doesnât answer. Heâs looking into the woods and then I see them, too. A rabbit being chased by some ugly old dog. Might be the same rabbit that ran off on us in the city, but I canât tell. It comes tearing out from under the trees, running straight across the meadow toward us, and then it just disappears.
I blink, not sure I actually saw what I just saw. But then the same thing happens to the dog. Itâs like it goes through some door I canât see. There one minute, gone the next.
âWell, she managed to pull them back across,â Robert says. âBut I donât like this. I donât like this at all.â
Hearing him talk like that makes me real nervous.
âWhy?â I ask him. âThis is what we wanted, right? She was going to play some music to put things back the way they were. Wasnât that the plan?â
He nods. âBut her going over wasnât.â
âI donât get it.â
Robert turns to look at me. âHowâs she going to get back?â
âSame way she went awayâright?â
He answers with a shrug and then I get a bad feeling. Itâs like what happened with Malicorne and Jake, I realize. Stepped away, right out of the world, and they never came back. The only difference is, they meant to go.
âShe wonât know what to do,â Robert says softly. âSheâll be upset and maybe a little scared, and then heâs going to show up, offer to show her the way back.â
I donât have to ask who heâs talking about.
âBut sheâll know better than to bargain with him,â I say.
âWe can hope.â
âWeâve got to be able to do better than that,â I tell him.
âIâm open to suggestions.â
âYou could call her back,â I say.
Robert shakes his head. âThe devil, heâs got himself a guitar, too.â
âI donât know what that means.â
âThink about it,â Robert says. âWhose music is she going to know to follow?â
The stranger laid his guitar case on the grass and opened it up. The instrument he took out was an old Martin D-45 with the pearl inlaid CD MARTIN logo on the headstockâa classic, prewar pickerâs guitar.
âDonât see many of those anymore,â Staley said.
âThey didnât make all that many.â He smiled. âThough Iâll tell you, Iâve never seen me a blue fiddle like youâve got, not ever.â
âGot it from my grandma.â
âWell, she had taste. Give me an A, would you?â
Staley ran her bow across the A string of her fiddle and the stranger quickly tuned up to it.
âYou ever play any contests?â he asked as he finished tuning.
He ran his pick across the strings, fingering an A minor chord. The guitar had a big rich sound with lots of bottom end.
âI donât believe in contests,â Staley said. âI think they take all the pleasure out of a music.â
âOh, I didnât mean nothing serious. More like swapping tunes, taking turns till one of you stumps the other player. Just for fun, like.â
Staley shrugged.
ââCourse to make it interesting,â he added, âwe could put a small wager on the outcome.â
âWhat kind of wager would we be talking about here?â
Staley didnât know why she was even asking that, why she hadnât just shut down this idea of a contest right from the get-go. It was like something in the air was turning her head all around.
âI donât know,â he said. âHow about if I