she smiled, it was as if the sun had come up. Ferret heard somebody near him sigh. Every time he saw her, it was like being hit in the solar plexus by a fist.
The music began a driving beat, heavy with percussion.
The woman onstage reached up with her right hand and slowly pulled the hat from her head, revealing jet hair knotted up in a bun. She sailed the hat toward the corner of the stage, and turned slowly, until her back was to the audience. She reached up with both hands this time, and did something to the knot of hair. It showered down over her shoulders like black ink, reaching to the middle of her back. She shook her head slightly, and a ripple ran through the jet. The effect was hard to describe to someone who had not seen it. It was a sexual gesture, potent in a way that was hard to believe—a woman shaking her head to free her hair, and it was as if she had freed the lust of everyone in the room.
Somebody near Ferret said, quietly, " Motherfucker ."
She turned toward the audience, and looked down at the row of pearl buttons on the front of the dress.
Now, it was as if she had forgotten the audience was there. She seemed much too proper in her demeanor to consider exposing herself to the eyes of anyone. Alone in her room, perhaps, about to undress for sleep or a bath. Ferret felt like a spy, peeping at something he had no right to be seeing.
Exactly as she intended he and everyone else in the room should feel.
Slowly—it seemed to take hours—she unbuttoned the garment's fastenings. Slowly—it seemed to take years—she shrugged her way out of the dress, allowing it to fall to the floor around her feet.
Underneath the dress, she wore some kind of lacy sheath, like a body suit, that exposed her shoulders and arms, but covered her torso and legs to the ankles. It also had a row of buttons, and she started working on them, turning slowly as she did, so that her back was once again to the audience by the time she finished. Another small series of delicate shrugs, and she stepped out of the body suit. As the garment slid down her bare skin, the audience gasped collectively at the beauty of her nude form. She was a lioness, muscles rippling lightly under the tanned skin. Her arms, back, buttocks and legs were clean and perfect, absolutely perfect.
She turned—it seemed to take centuries—head down and eyes lowered, and faced the audience once more. Another gasp. How could a naked woman, on a world where nudity was commonplace, be so impressive?
The computer hit another musical sting, a sharp sound, and she snapped her face up as she had done earlier. She smiled slowly—it seemed to take eons—and acknowledged the audience. She raised her arms slowly, then suddenly dropped to her knees, legs spreading at the same instant. Kneeling on the stage, she leaned back until her hair formed a black pool on the floor. It was an invitation.
The music changed, going into a harder, faster beat, and she was up, leaping high into the air, landing lightly, breasts bobbing. She spun, fanning her hair outward in a cloud, teeth flashing whitely against that tawny, tawny skin. She danced then, oh, how she danced! It was part ballet, part gymnastics, part something that seemed familiar but looked like nothing anyone could name. She used the entire stage, diving, rolling, leaping, stretching.
Ferret had seen the dance fifty times, and it was never the same twice. She moved in ways he had never seen her move before, close, but not the same. If there were a goddess of Sex, then this was her Dance.
This was sensual, erotic, lust-inspiring. This made you want to leap upon the stage and join in, ending in a coupling with this magnificent creature who must be more than human. This was what passion was all about—
Until she stopped.
The music faded, lowering to a gentle melody. The woman onstage came to a complete halt, crouched low, head down. When she lifted her head, she was someone else. Gone was the passion and
Brian Keene, J.F. Gonzalez