The Accident Man
flashing lights. At ground level, there seemed to be no sign at all of any accident.
    Carver hit the bridge a hundred meters, maybe a little more, ahead of the Ducati, heading across the river Seine. He was going to make a right and get onto the freeway that ran along the south bank of the river, making for the
périphérique
, just like before. But he realized that would be crazy. The Ducati was a much bigger, more powerful bike. Even with two onboard it would soon run him down on the open road. He needed a battleground where he could fight his attackers and win.
    And then he saw it.
    On the far side of the bridge, across the other side of the road, stood a small white kiosk surrounded by low hedges. It looked like a giant geometric mushroom: a short, squat tower topped by a wide, gently sloping octagonal roof. Just in front of it stood a blue sign that read, “
Visite des Egouts de Paris
.”
    Carver grinned. He knew what that was. And it would do just fine.
    Ahead of him he could see a long articulated bus, its two halves held together by a rubber concertina. It was about to turn left, off the main road that ran along the Left Bank, onto the Alma Bridge, going back the way Carver had just come.
    He needed to get across the road. The bus would cut right across his path. He played one last game of chicken, turning his bike hard left, skidding across the path of the oncoming bus, sensing its bulk loom above him, seeing the look of horror on the driver’s face.
    The bus screeched to a halt in midturn. Or at least its front half did. The rear end kept going, fishtailing as the link between its two halves acted as a hinge, swinging the bus around to the right. Somehow, the driver brought the bus under control before the momentum of the spin flung it onto its side. But now it was sprawled across the bridge, with traffic piling up around it. A perfect roadblock.
    Carver brought his bike to a halt beside the kiosk. He jumped off, pulled off his helmet, and grabbed the laser torch.
    Next to the kiosk a low, white metal gate guarded a stone stairway that spiraled underground. A sign on the gate read, “
Acces interdit”
— entry forbidden. He kicked open the gate, then headed down the stairs.
     
8
     
    The first underground sewer was dug beneath the streets of Paris in 1370. Now there were 1,300 miles of tunnels beneath the city, known as
les egouts
. They carried away 1.2 million cubic meters of water and waste a day, and they directly followed the lines of the roads up above. Every tunnel was signposted with the name of the avenue, boulevard, street, or square whose filth it removed.
    If you wanted to have a gun battle right in the middle of a major city, without anyone noticing, the sewers were the place to have it. But Paris went one better. It didn’t just have sewers, it had a sewer museum, a concrete-and-steel warren of tunnels and chambers, right underneath the south end of the Alma Bridge.
    Carver scuttled down the narrow stairs, bare concrete walls on either side. At the bottom, the passage turned a sharp left. In front of him was a solid steel door. On it was a white sign with a red banner across it announcing Danger. Below the sign a padlock held a massive bolt in place.
    He put a bullet through the padlock, blowing it open, then pushed against the door, which swung away from him into a pitch-black void filled with chill, damp air that smelled of drains. He turned on his dazzler, twisting the end to widen the beam, filling the black void with a ghostly, radioactive green glow. Ahead, the passage seemed to open up into a low, broad chamber. There was another lock on the inside of the door, operated by a metal wheel. Carver closed the door and turned the wheel. There wasn’t much chance the guys who were after him would come in that way. Only an idiot would charge down a narrow, dark corridor toward a man known to have a dazzler and almost certainly a gun as well. They’d find another way in. Even so, it never hurt

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