to cover your back.
Carver walked on into the sewers, his torch in his left hand, the SIG-Sauer in his right, trying to work out the direction from which his enemy’s attack would come.
The first chamber consisted of two old sewer tunnels that ran side by side. The sewer was filled in with concrete to make a flat floor. The wall between the tunnels had been punctured by a series of low, egg-shaped arches to make a single space. Carver walked through one of the arches, then hurled himself to the ground, bringing his gun to bear as he rolled across the concrete. To his left, in the shadows on the edge of the green dazzler light, he’d seen a group of figures in boiler suits and miners’ helmets. It took him half a second to realize they were waxworks, part of the museum’s exhibition.
He got up sheepishly and dusted himself off. To his right there was another, smaller tunnel. A notice: “This Way for the Tour.” Carver followed it and went deeper into the tunnel.
Grigori Kursk had reached the far end of the Alma Bridge a few seconds after Carver. He’d tracked the Englishman right up to the point where he’d pulled that crazy stunt in front of the oncoming bus. By the time the bus had moved out of the way, he’d lost him.
For a second he thought the man had got away. Then, across the far side of the road, he saw Carver’s bike abandoned next to the kiosk. He drove the Ducati onto the sidewalk at the end of the bridge, parking it next to a waist-high metal cage that stood over an open manhole. Beneath the cage a metal spiral staircase descended into the ground.
Kursk gestured to his partner to approach the Englishman’s abandoned bike from the right. He moved left. The two of them dashed across the bridge. Kursk ran around the front of the stranded bus, while his partner darted between the bus and the cars piling up behind. As they approached the bike, they saw no sign of its rider. Then Kursk noticed the open gate and the concrete stairway behind it.
He stared at the signs on the kiosk, trying to work out what they meant from the mass of different languages and symbols. Okay, so this was some sort of visitors’ entrance to something. Which meant somewhere there had to be an exit, or maybe a fire escape. Which would need a manhole. Beneath his helmet, Kursk grinned. Now he knew how to beat the Englishman.
He told his partner what to do. Then he jogged back across the bridge to where his bike was parked against the metal cage. The top of the cage was hinged in the middle. One half opened up to allow access to the manhole underneath, and it was held in place with a padlock and chain.
Kursk took off his helmet, reached into the bike’s top box, and pulled out a tool kit in a black, roll-up nylon pouch. From this he removed a small pair of bolt-cutters, casually leaned over the cage, and cut the links of the chain. He lifted the hinged lid of the cage, stepped over the side railings, and started walking down the metal stairs. Once he was below ground, he reached into his jacket and took out his gun before clipping a small black flashlight onto a mount on top of the barrel.
At the bottom of the shaft, there was a double door that shone scarlet in the beam of the flashlight. It was an emergency exit, opening out, toward him. Kursk fired a three-bullet burst into the locking mechanism.
The sound of the gunfire reverberated into the darkness. The Englishman was bound to hear, but that was good. Kursk did not want to waste time wandering around the sewers of Paris, playing blindman’s bluff. He’d much rather draw his opponent on, tempting him into an ambush. But he still had to find a way of setting up that ambush.
He pulled open the splintered door, walked a few paces forward, and entered a sort of man-made cave, maybe fifty feet square and twelve to fifteen feet high. He could hear the sound of rushing water somewhere beneath him. The flashlight tracked across the concrete floor until it came to an
Gary Pullin Liisa Ladouceur
The Broken Wheel (v3.1)[htm]