Mansfieldâs first name.â
âItâs unbelievable.â
âThat was a tough one. I wasnât expecting someone from the dead file.â
âYour mindâs a trap.â
âIâve trained it for autographs. Sometimes I forget my own apartment number, walk right past it. But figures of the performers are gummed into my skull â¦â
Gloria wants me to do some more. I donât want to. After spending so much time with entertainers, some of their secrets sink inâget on, get your laugh, and get off. As a favor, I tell her to take two cards and read me the names. David Merrick and Wayne Newton are her picks. I do the Merrick with short, broad lines. I keep the letters crammed tight together. I take my time, but try to make it look like Iâm in a terrible hurry.
âTadah! David Merrick at your service.â I put my impersonation next to the real thing.
âThatâs interesting,â she says.
âInteresting! Thatâs a perfect imitation.â
âMr. Merrickâs signature slants to the left. Yours is all the way to the right.â
âYouâre a tough critic. My Wayne Newton will surprise you.â
âIâve really got to go, Benny. Itâs been nice making your acquaintance.â
âWayne Newton coming up. Please?â
The trick to Wayne Newton is to remember heâs a singer and heâs short. Like most smallies in the business, he signs very large and swirly. I use a ball-point pen for this one. The pen skates along the paper.
âDonât ask me, Benny.â
âItâs a dead ringer.â
âFlattery gets you nowhere.â
âIâve been doing him for years. Let me try another.â
Gloria buckles on her âChase Meâ shoes. She stands up tall as Cyd Charisse, and walks to the door. âThank you for a nice evening.â
I pull out another card. âItâs not over.â
âI said Iâm not playing.â
âI got this at the Pepsi-Cola Convention. I knew sheâd be there. Sheâs on the Board. I have triples. This oneâs yours.â
She looks at the Joan Crawford for a long time. This is the part I hateâthe happy ending. She takes my hand and holds it to her cheek.
The door clicks shut. No âthank you.â Nothing.
I sit on the edge of my bed. I sniff the perfume off the back of my hand the way I used to smell glue. Iâm dozy.
I lock up the collection for the night. I turn on the television. Abbott and Costello. I turn it off.
Should I curl up in the chair or take the bed? I remember Momâs letter. Iâll take the bed.
Benny:
Your last two letters have been about these muscle-boy football players. There must be more news of the big city. Are you a faggot? Keep well. All love.
Francine/Mom
P.S. Good contacts are good business.
I turn out the lights. I put the shell to my ear. Soon I can hear Ocean Beach and my eyes get very heavy.
Chapter Two
THE MORNING NEWS HASNâT been the same since Jack Lescoulie retired. At 7:30âthe TVâs saying that itâs Monday, that Hollywoodâs dying, that theater attendanceâs falling off, that the airâs killing us, that the Mets lost. Thatâs hooey. Iâve talked to thousands of healthy, happy people. Iâve got autographs to prove it. Americans take the word of one man sitting behind a desk who hasnât even seen what heâs talking about with his own eyes. These young announcers think they know it all. They talk with the man in the street, not stars. The man in the street doesnât know shit, thatâs why heâs in the street.
I cut the announcer off. I watch his head shrink to the size of a pin. I think nice thoughts. The perfumeâs still fresh on my hand. I go back to sleep.
At 9:00 things are looking better. The announcer says the astronauts are on their way to the moon. Five days, 263,000 miles away. Think of that.
I clock in. My