She had become animated, almost gay. There had been a kind of feverish and suppressed excitement about her. And then Victor had suddenly demanded that he be driven to London for an examination at St. Saviourâs Hospital and to consult his solicitor. It was then that Maggie had hinted to him about the will. He had caught something of her excitement. He wondered now what either of them had hoped for. Had she seen the money as a release merely from Toynton Grange, or also from him? Either way, surely, it would have brought salvation for them both. And the idea wasnât absurd. It was known that Victor had no relatives except a sister in New Zealand to whom he never wrote. No, he thought, reaching for the towel and beginning to dry his hands, it hadnât been an absurd dream; less absurd than the reality.
He thought of that drive back from London; the warm, enclosed world of the Mercedes; Julius silent, his hands resting lightly on the wheel; the road a silver reel punctuated with stars slipping endlessly under the bonnet; road signs leaping out of darkness to pattern the blue-black sky; smallpetrified animals, fur erect, briefly glorified in the headlamps; the road verges drained pale gold in their glare. Victor had sat with Maggie in the back, wrapped in his plaid cloak and smiling, always smiling. And the air had been heavy with secrets, shared and unshared.
Victor had indeed altered his will. He had added a codicil to the bequest which left the whole of his fortune to his sister, a final testimony of petty malice. To Grace Willison, a bar of toilet soap; to Henry Carwardine, a mouthwash; to Ursula Hollis, body deodorant; to Jennie Pegram, a toothpick.
Eric reflected that Maggie had taken it very well. Really very well indeed; if you could call that wild, ringing, uncontrolled laughter taking it well. He recalled her now, reeling about their small stone sitting-room, helpless with hysteria, throwing back her head and baying out her laughter so that it echoed harshly back from the walls, like a menagerie, and rang out over the headland so that he was afraid they would hear it as far as Toynton Grange.
Helen was standing by the window. She said, her voice sharp:
âThereâs a car outside Hope Cottage.â
He walked over to her. Together they looked out. Slowly their eyes met. She took his hand, and her voice was suddenly gentle, the voice he had heard when they had first made love.
âYouâve got nothing to worry about, darling. You know that, donât you? Nothing to worry about at all.â
III
Ursula Hollis closed her library book, shut her eyes against the afternoon sun and entered into her private daydream.To do so now in the brief fifteen minutes before teatime was an indulgence, and quick as always to feel guilt at so ill-disciplined a pleasure, she was at first afraid that the magic wouldnât work. Usually, she made herself wait until she was in bed at night, wait even until Grace Willisonâs rasping breath, heard through the unsubstantial partition, had gentled into sleep before she allowed herself to think of Steve and the flat in Bell Street. The ritual had become an effort of will. She would lie there hardly daring to breathe because the images, however clearly conjured up, were so sensitive, so easily dispelled. But now it was happening beautifully. She concentrated, seeing the amorphous shapes and the changing patterns of colour focus into a picture, clearly as a developing negative, tuning in her ears to the sounds of home.
She saw the brick wall of the nineteenth-century house opposite with the morning sun lighting its dull façade so that each brick was individually distinct, multi-colored, a pattern of light. The pokey two-roomed flat above Mr. Polanskiâs delicatessen, the street outside, the crowded heterogeneous life of that square mile of London between Edgware Road and Marylebone Station had absorbed and enchanted her. She was back there now, walking again
Alexa Wilder, Raleigh Blake