house—this was how everyone in Spain referred to it, with no need even to mention his glorious family name—for Quevedo had some messages to pass on to him from the palace. I turned to look behind me a couple of times, to see if we were being followed by that dark, cloakless ruffian; on the third time of looking, he had gone. A mistake perhaps, I told myself; my instinct, though, attuned to the violent mores of Madrid, told me that such mistakes smell of blood and steel on some dimly lit street corner. There were, however, other matters demanding my attention. One of these was the fact that don Francisco, as well as being commissioned by the count-duke to write a play, had been charged with composing a courtly ballad or two for the queen, to be performed at a party in the Salón Dorado—the Golden Room—in the Alcázar Palace. Quevedo had promised to take these ballads to the palace himself, because the queen wanted him to read them out loud to her and her ladies-in-waiting, and Quevedo, who was, above all, a good and loyal friend, had invited me to accompany him in the role of assistant or secretary or page or some such thing. I didn’t mind what title I was given as long as I saw Angélica de Alquézar—the maid of honor with whom, as you will recall, I was deeply in love.
The other matter was this visit to Lope’s house. Don Francisco de Quevedo knocked at the door and Lope’s maidservant, Lorenza, opened it. I knew the house already, and later, over the years, visited it often because of the friendship that existed between don Francisco and Lope, and between my master and certain other frequent visitors to that Phoenix of Inventiveness, among them his close friend Captain Alonso de Contreras and another younger man who was, unexpectedly, about to enter the scene. We walked into the hallway, down the passageway and past the stairs leading up to the first floor, where the poet’s little nieces were playing. (Years later, it was discovered that these were, in fact, Lope’s daughters by Marta de Nevares.) We emerged, at last, into the little garden where Lope was sitting on a wicker chair beneath the shade of a vine, next to the well and the famous orange tree that he tended with his own hands. He had just finished eating, and nearby stood a small table on which there were still the remains of a meal, as well as cool drinks and sweet wine in a glass pitcher for his guests. Lope was accompanied by three other men, one of whom was the aforementioned Captain Contreras, who wore the cross of Malta on his doublet and was always to be found at Lope’s house whenever he was in Madrid. My master and he were very fond of each other, for they had sailed together in the Naples galleys, and had met before that as youths, almost boys, when they both set off for Flanders with the troops of Archduke Alberto. At the time, Contreras was something of a ruffian, for at the tender age of twelve, he had already knifed one of his own kind and subsequently deserted from the army when the troops were only halfway to Flanders. The second gentleman, don Luis Alberto de Prado by name, was a secretary in the Council of Castile; he was from Cuenca and had a reputation as a decent poet; he was also a fervent admirer of Lope. The third was a handsome young nobleman with a youthfully sparse mustache; he must have been about twenty years old or so and wore a bandage round his head. When he saw us, he sprang to his feet in surprise, an emotion I saw replicated on Captain Alatriste’s face, for the latter immediately stopped where he was by the well and instinctively placed his hand on the hilt of his sword.
“Well,” said the young man, “Madrid really is a small world.”
It certainly was. Only the previous morning, he and Captain Alatriste, ignorant of each other’s names, had fought a duel together. Even more remarkable, as everyone was about to discover, this young fighter’s name was Lopito Félix de Vega Carpio and he was the