Judyâs toys. He had no trouble with them at all. He whistled while he worked.
Then he swept the debris into a corner of the kitchen. He put a pot of coffee on the stove. âCoffee?â he called. âIn a minute,â Anna said. He stabilized the swinging kitchen door and came upon Anna, winding a clock in the living room whose wide windows on the world he had personally draped. âBusy, busy,â he said.
Like a good and happy man increasing his virtue, he kissed her. She did not move away from him. She remained in the embrace of his right arm, her face nuzzling his shoulder, her eyes closed. He tipped her chin to look and measure opportunity. She could not open her eyes. Honorably he searched, but on her face he met no quarrel.
She was faint and leaden, a sure sign in Anna, if he remembered correctly, of passion. âShall we dance?â he asked softly, a family joke. With great care, a patient lover, he undid the sixteen tiny buttons of her pretty dress and in Judyâs room on Judyâs bed he took her at once without a word. Afterward, having established tenancy, he rewarded her with kisses. But he dressed quickly because he was obligated by the stories of his life to remind her of transience.
âPetey,â Anna said, having drawn sheets and blankets to her chin. âGo on into the kitchen. I think the coffeeâs all boiled out.â
He started a new pot. Then he returned to help her with the innumerable little cloth buttons. âSay, Anna, this dress is wild. It mustâve cost a dime.â
âA quarter,â she said.
âYou know, we could have some pretty good times together every now and then if you werenât so damn resentful.â
âDid you have a real good time, Petey?â
âOh, the best,â he said, kissing her lightly. âYou know, I like the way your hair is now,â he said.
âI have it done once a week.â
âHey, say it pays, baby. It does wonders. Whatâs up, whatâs up? Thatâs what I want to know. Whereâd the classy TV come from? And that fabulous desk ⦠Say, somebodyâs an operator.â
âMy husband is,â said Anna.
Petey sat absolutely still, but frowned, marking his clear forehead with vertical lines of pain. Consuming the black fact, gritting his teeth to retain it, he said, âMy God, Anna! That was a terrible thing to do.â
âI thought it was so great.â
âOh, Anna, thatâs not the point. You should have said something first. Where is he? Where is this stupid sonofabitch while his wife is getting laid?â
âHeâs in Rochester. Thatâs where I met him. Heâs a lovely person. Heâs moving his business. It takes time. Peter, please. Heâll be here in a couple of days.â
âYouâre great, Anna. Man, youâre great. You wiggle your ass. You make a donkey out of me and him both. You couldâve said no. Noâexcuse me. Peteyâno. Iâm not that hard up. Whyâd you do it? Revenge? Meanness? Why?â
He buttoned his jacket and moved among the cardboard boxes and the new chairs, looking for a newspaper or a package. He hadnât brought a thing. He stopped before the hallway mirror to brush his hair. âThatâs it!â he said, and walked slowly to the door.
âWhere are you going, Peter?â Anna called across the foyer, a place for noisy children and forgotten umbrellas. âWait a minute, Peter. Honest to God, listen to me, I did it for love.â
He stopped to look at her. He looked at her coldly.
Anna was crying. âI really mean it, Peter, I did it for love.â
âLove?â he asked. âReally?â He smiled. He was embarrassed but happy. âWell!â he said. With the fingers of both hands he tossed her a kiss.
âOh, Anna, then good night,â he said. âYouâre a good kid. Honest, I wish you the best, the best of everything, the
Aj Harmon, Christopher Harmon