what Menton had been. It was the young peopleâs first bond of sympathy, and Barbara tried not to giggle; before the war was a time she didnât remember at all. âIn those days, you knew where you were
at
,â her aunt said, summing up the thirties. She picked up her knitting, and Mike went on with his painting of sea, sky, and tilted sailboat. Away from Mr. Chitterley and the teacher who had excelled in mobiles, he found that he worked with the speed and method of Barbaraâs aunt producing a pair of Argyle socks. Menton, for all its drawbacks, was considerably easier to paint than Paris, and he rendered with fidelity the blue of the sea, the pink and white of the crumbling villas, and the red of the geraniums. One of his recent pictures, flushed and accurate as a Technicolor still, he had given to Barbara, who had written a touched and eager letter of thanks, and then had torn the letter up.
Mike had brought his painting things along on the picnic, for, as Barbaraâs aunt had observed with approbation, he didnât waste an hour of his day. Barbara carried the picnic basket, which had been packed by the cook at Pension Bit oâ Heather and contained twice as much bread as one would want. Around her shoulders was an unnecessary sweater that she had snatched up in a moment of compulsive modesty just before leaving her room. She carried her camera, slung on a strap, and she felt that she and Mike formed, together, a picture of art, pleasure, and industry which, unhappily, there was no one to remark but a fat man taking his dog for a run; the man gave them scarcely a glance.
Rounding a bend between dwarfed ornamental orange trees, they saw the big hotel Barbaraâs aunt had told them about. From its open windows came the hum of vacuum cleaners and the sound of a hiccuping tango streaked with static. The gardens spread out before them, with marked and orderly paths and beds of brilliant flowers. Barbaraâs aunt had assured them that this place was ideal for a picnic lunch, and that no one would disturb them. There was, on Cap Martin, a public picnic ground, which Barbara was not permitted to visit. âYou wouldnât like it,â her aunt had explained. âIt is nothing but tents, and diapers, and hairy people in shorts. Whenever possible in France, one prefers private property.â Still, the two were unconvinced, and after staring at the gardens and then at each other they turned and walked in the other direction, to a clearing around a small monument overlooking the bay.
They sat down on the grass in the shade and Mike unpacked his paints. Barbara watched him, working over in her mind phrases that, properly used, would give them a subject in common; none came, and she pulled grass and played with her wristwatch. âWeâre leaving tomorrow,â she said at last.
âI know.â After some peering and indecision he had decided to face the hotel gardens instead of the sea. âI may not stay much longer, either. I donât know.â
Barbara, bound to her auntâs unyielding cycle of city, sea, and mountains, marveled at his freedom. She fancied him stepping out of his hotel one morning and suddenly asking himself, âShall I go back to Paris now, or another day?â and taking off at once for Paris, or Rome, or Lisbon, or, having decided he had had enough of this, his parentsâ house.
âMy father thinks I should go to Venice and Florence, now that Iâm south.â He spoke with neither enthusiasm nor resentment; had his father ordered him home, he would have set off with the same equable temper.
âThen you might go to Italy soon,â Barbara said. He nodded. âIâm going home in September,â she said. âMy motherâs coming for the summer, and weâre going back together. I guess Iâll go back to school. I have to do somethingâlearn something, I mean.â
âWhat for?â
âWell, itâs
Ker Dukey, D.H. Sidebottom