the squad to yell over the wind. âOkay, crew, letâs cut this big thing with a nice margin so we donât lose anything important. Squad Two should prep for seventy minutes from now, to mine for small samples.â
Diving masks nod up and down the row. Billings makes a dignified bow; he leads Squad Two. I pull the mask over my face, climb on the platform. The team follows in the awkward walk of flippers, like so many penguins about to plunge off their floe.
As everyone grips the chain-link railing for balance, I turn back for a look. I remember that moment now, with all that has happened, as a traveler a century ago might have recalled her steamship pulling away from the pier: here comes an unfamiliar culture, a different language, a new world. Gerber stands at the tech room window, his hair a crazy halo, flashing us a peace sign. On the bridge above, the captain speaks from one side of his mouth. A winch groans and the deck crane hoists our platform off the deck, dangles it in the windy air between ship and iceberg, then eases us into the water.
The ocean presses on my calves, then my hips, upward. This close to the berg, there are no waves to topple me. Only the water, taking my shape. Can there be anything more intimate? The shock of the cold doesnât hit till weâre up to our necks. I start my watchâs chrono functionâtime, after oxygen, being the most valuable commodity here.
âMark,â I call to Gerber, which he repeats in my earpiece so I know heâll have snapped a photo of the team being lowered into the sea.
Then the water is over my mask, Iâm immersed completely. So I do what I always do in that first moment: tilt my head back and let out a long exhale. It leaves the regulator in one fat bubble, which hurries upward like a helium balloon released by a child on a summerâs day. Beauty.
CHAPTER 5
Baseball Mitt
(Daniel Dixon)
M ark,â Dr. Kate calls over the radio, and Gerber presses a button beside his monitor. The image on an upper screen freezes for half a minuteâa hand ax striking at the iceâwhile the video feed continues on the TV below. Itâs fascinating, if I linger on the still shot, how easy it is to spot hard-ice: when the ax hits, regular ice falls away and leaves something like white concrete. How had scientists before Carthage failed to discover this stuff? Itâs like peeling off wax drippings without noticing the main candle.
I jot that simile in my notebook for later, because thereâs nothing else for me to write at the moment. Iâm just watching while they work. But I can tell this iceberg is different, if only by everyoneâs seriousness. Gerber has not made a joke in hours. He even turned down the Grateful Dead bootleg of the day; itâs barely white noise from his speakers. The way his chair is positioned, he canât see the âmarkâ images overhead. Heâs bent toward the live feed playing before him. The tech crew concentrates on screens in front of them, too: sonar scans, temperature gauges, water content monitors.
The first team works their full shift, then the second squad digs into a side vein. They call it harvesting, Billings removing cores the size and shape of fence posts. They must be sweet with specimens, because by the end of that shift, Billings is singing in his headset. And damn my ears, can that guy not sing. Iâve heard beagles with better voices.
Look, I donât buy this whole project. But they must be freezing out there, in bone-aching cold that takes days to recover from. Every so often a piece breaks loose, and everybody scurries. They canât help approaching an iceberg with fear. Itâs like handling snakes, there are too many stories of something going wrong. Plus, both crews have been underwater nearly three hours. During breaks they skip breakfast and napping, despite having pulled an all-nighter. When Billingsâs team made its second dive, Dr.