to his heritage.”
Schüb led them upstairs to a sleeping chamber. Wyatt noticed the enormous bed with bulbous Jacobean legs. Above its head hung a massive oil painting that depicted the archangel Michael with his sword directing anxious wayfarers toward heaven.
Then he noticed the panel. On the far side, in an alcove.
A slab of stone, hinged open.
They walked over and stepped inside. Stone stairs lined with a red carpet runner wound down in a tight circle. They slowly descended and finished standing on a polished gray slate floor, staring at a Nazi uniform. The dry air was clearly climate-controlled and humidified. The coarse stone walls, plastered and also painted gray, bore evidence from when they were hacked out of the bedrock. The chamber cut a twisting path, one room dissolving into another. There were flags, banners, even a replica of some SS altar. Countless figurines, a toy soldier set laid out on a colorful map of early-20th-century Europe, helmets, swords, daggers, caps, uniforms, windbreakers, pistols, rifles, gorgets, bandoliers, rings, jewelry, gauntlets, photographs, and a respectable number of paintings signed by Hitler himself.
“There are about three thousand items in all,” Schüb said. “A lifetime of effort. Perhaps the greatest collection of Nazism on the planet. As I said, my brother loved his heritage.”
Wyatt’s attention drifted ahead, where he spied more memorabilia. Schüb stopped at a headless mannequin, one of many that displayed a variety of 1930s-period clothing.
“This was the summer dress of a Sturmbannführer. A handsome white coat dotted with silver buttons, an Iron Cross, a scarlet armband, and a gold Horseman’s Badge affixed to the left breast pocket. By Hitler’s order the coat was worn only between April 1 and September 30, adorning the highest-ranking officers during ceremonial occasions at Berchtesgaden. To wear it any other time or place was unthinkable. Impressive, isn’t it? The Nazis were good at coating the rotten with a handsome veneer.”
He’d entered a macabre world, his mind reeling at the spectacle. And though he’d seen worse, he’d never seen stranger.
“When I see all this,” Schüb said, “I think of my childhood. Men, in secret, wearing armbands adorned with swastikas. Gorgets. Bandoliers. Gauntlets.” The older man pointed to a porcelain basset hound on display. “Prisoners at Dachau made those for the SS.”
He stared at the shiny white dog.
The subterranean labyrinth ended, ahead, at a solitary wooden door.
Schüb faced him. “Before we go in there, there’s something you must know.”
Bormann watched as Eva Braun writhed and screamed in agony. She was fighting the birth, though the midwife had cautioned her to relax. Her legs stiffened as another contraction racked her. She’d been nothing but difficult for the past few months. But their constant movement had clearly complicated things. They’d met up finally in Barcelona. He’d left Germany from the north, through Denmark and the Netherlands. She arrived from the south, starting in Switzerland and moving by rail into Italy, then across France. The Barcelona house had been used during the war as a secure location. Not taking any chances, he’d moved them farther into Spain, to an anonymous spot that he alone chose. The Führer was dead. He was in charge now.
And things were going to be different.
Braun screamed again.
He was tired of listening to her weakness.
She screamed again.
“When will this end?” he asked the midwife. She was a Spaniard who thankfully spoke German.
“The baby is coming now.”
Bormann stood behind the woman, whose head was plunged between Braun’s spread legs, each ankle tied to a post of the bed. Braun stretched the bindings, but the thick posts held firm.
“Hurry it,” he said.
“Talk to God about that,” the midwife said, never turning her head.
Another scream pierced the room. Thankfully, the farmhouse was isolated.
The midwife
Dawne Prochilo, Dingbat Publishing, Kate Tate