into making a show.
âItâs haunted by applause, and the memory of greatness. Itâs haunted by the things that haunt every theater worth working in, and if you want to keep working on stage, youâd better get used to them.â
Well, all in all, it was one of the best speeches Iâd ever heard. Gwendolyn talked about theatrical traditions, and the show must go on, and whatâs a little ghost compared to being on the stage, and not confusing facts with fears, and all kinds of other stuff. I thought it was really impressive. At least, it convinced me. I was ready to jump up on the stage and start acting that very minute.
âWhat a performance,â said Melissa after Gwendolyn was all done.
I looked at her strangely.
âOh, come on,â she said. âIt was a terrific speech. But donât get all dreamy eyed about it. What you just saw was acting, pure and simple.â
As much as it galled me to agree with Melissa, I had to admit she was right. It was a remarkably good piece of acting.
But somehow the way Melissa said it made it sound as though there was something wrong with that. I felt confused. If someone else had given Gwendolynâs speech, it probably wouldnât have worked half so well. Did that mean there was something wrong with the speech? Was it wrong for Gwendolyn to use her skills to persuade us?
I was trying to figure all that out when two things happened. One: Barney Caulfield got in a shouting match with Gwendolyn. Two: I felt a cold chill run down my spine.
The first was easy to explain. Despite Gwendolynâs speech, Barney started asking stupid questions and talking about walking out on the show. Gwendolyn, who had been quiet and reasonable for more than ten minutes that nightâwhich was about her limitâwent off like a skyrocket. It was no big surprise.
The chill down my spine was a little more difficult to explainâuntil I turned around and saw the Woman in White sitting in the seat behind me. She seemed to be listening to Gwendolyn and Barney argue.
She had a sad look on her face. But she was beautiful. Really, truly beautiful.
I gave Chris a little nudge with my elbow. She turned to see what I wanted and caught her breath.
âItâs her!â she whispered.
The Woman in White gave us a tiny smile. Then she raised a finger to her lips, indicating that we should keep quiet.
Unfortunately, Melissa noticed that we werenât paying any attention to the Barney-Gwendolyn argument. âWhat are you two looking at?â she asked loudly. âThe ghost?â
Chris started to laugh. âI knew she couldnât see her,â she said.
âYou are looking at the ghost!â yelped Melissa.
That was all it took. The Woman in White faded out of sight.
And the crowd went nuts.
CHAPTER NINE
Gwendolyn
As things worked out, we had no rehearsal that night. When the excitement finally died down, Gwendolyn just sent the cast home. I assumed she was hoping that by morning we would settle downâand that by the next night most of us would be back, ready to work.
Actually, she didnât dismiss quite everyone. Chris, Melissa, and I were taken to her office for special treatment.
She was furious, of course. That didnât really bother me that much: Gwendolyn was always furious. But Edgar was with her, and the look in his eyes was breaking my heart. I could tell he thought we had started all that trouble just trying to be funny. As far as he was concerned, we had stabbed him in the back. It was killing me to have him believe that.
I donât think thereâs any feeling in the world worse than having someone you care about think youâve let them down.
Gwendolyn started things off. âI cannot accept such foolish, irresponsible, stupid, childish behavior in this theater. That little stunt you three pulled tonight was one of the most unwarranted, unkind â¦â
Well, you get the idea. She was off and