was looking at the four of us as if we were all from another planet.
âWhy didnât you say something back in the theater?â Chris asked Gwendolyn.
âBe sensible,â she answered. âCan you imagine the effect that would have had on those ninnies? You know what they say about freedom of speech: It doesnât extend to shouting âFire!â in a crowded theater. My saying Iâve seen the ghost would have been the same thing.â
âBut itâs not the same,â I protested. âOf course youâre not supposed to shout âFireâ if there isnât one. But there really was a fireâor ghostâin this case.â
The second I finished, I could have bitten my tongue. I had gotten so wrapped up in the conversation I forgot it was Gwendolyn I was talking to. I winced and waited for her to start yelling.
âGood point, Nine,â she said in a totally reasonable tone of voice. âMaybe I was mistaken.â
Sometimes I think that was the biggest surprise of that entire surprising night.
Chris said the same thing after we left. Actually, her exact words were, âI almost fell off my chair when the old bat admitted she was wrong.â But you get the idea.
We were feeling pretty good, despite the fact that Melissa was still with us. Once Gwendolyn was convinced we had actually seen the ghost, she was a lot less angry about the fuss we had caused. She did ask us to try to keep our mouths shut about the whole thing, since the cast was panicked enough already.
When I had asked her about Lydiaâs dress she got a concerned look on her face. âI donât know what that was all about,â she had said firmly. âBut I do know the ghost of Lily Larkin didnât do that damage.â
I was going to bring the question up to Chris as we were walking through the lobby, but she spoke first.
âLetâs cut through the theater,â she said. âMy father said he wants to pick me up on Jefferson Street from now on, because the trafficâs not so tricky. The side exit will take us out right where he wants to meet us.â
âWonât it be locked?â I asked.
âNah, Pop wonât be locking up for an hour or two yet. Come on.â
âWell, my father is picking me up out front,â said Melissa, as if that were somehow more respectable. She flounced off through the lobby.
âCome on,â said Chris, taking me by the arm. I wasnât really sure I wanted to go back into the theater. But since I was riding home with Chris, I didnât have much choice.
Besides, I had a feeling I knew what was really going through her mind when she suggested the detour: she was hoping we might have a chance to see the ghost again. I could tell she was beginning to feel the way I did about the ghost, that she was almost like a friend.
We pulled open the big brass and glass doors and stepped into the theater. It seemed much spookier than earlier in the evening, when everyone else had been in it. A single worklight was burning on the stage. Other than that it was dark. Very dark.
âLetâs go out the front way,â I said nervously.
âDonât be a wimp,â whispered Chris. âCome on!â
âWhy are we speaking in whispers?â I askedâspeaking in a whisper myself.
Chris shrugged. I knew what she meant. There wasnât any logical reason. It just seemed the right thing to do.
We began tiptoeing down the aisle. Suddenly Chris put her hand on my arm. âWhatâs that?â she hissed.
I stopped dead in my tracks. It took a moment for me to locate the sound. Finally I realized it was coming from the front of the theater.
But it wasnât the ghost. It was Pop. He was sitting in the third row, crying his eyes out.
CHAPTER TEN
More Costumes
It was almost eleven by the time Chris and her father dropped me off. I found my dad in the kitchen, stirring something in a big