Tags:
Fiction,
Literary,
Historical fiction,
Historical,
Classics,
Family,
Juvenile Fiction,
Domestic Fiction,
Occult fiction,
Occult & Supernatural,
Haunted Houses,
Salem (Mass.)
beruffled as they were, he used to give change for a shilling, and would turn a half-penny twice over, to make sure that it was a good one. Beyond all question, he had the blood of a petty huckster in his veins, through whatever channel it may have found its way there. Immediately on his death, the shop-door had been locked, bolted, and barred, and, down to the period of our story, had probably never once been opened. The old counter, shelves, and other fixtures of the little shop remained just as he had left them. It used to be affirmed, that the dead shop-keeper, in a white wig, a faded velvet coat, an apron at his waist, and his ruffles carefully turned back from his wrists, might be seen through the chinks of the shutters, any night of the year, ransacking his till, or poring over the dingy pages of his day-book. From the look of unutterable woe upon his face, it appeared to be his doom to spend eternity in a vain effort to make his accounts balance. And now—in a very humble way, as will be seen—we proceed to open our narrative.
II. The Little Shop-Window
It still lacked half an hour of sunrise, when Miss Hepzibah Pyncheon—we will not say awoke, it being doubtful whether the poor lady had so much as closed her eyes during the brief night of midsummer—but, at all events, arose from her solitary pillow, and began what it would be mockery to term the adornment of her person. Far from us be the indecorum of assisting, even in imagination, at a maiden lady's toilet! Our story must therefore await Miss Hepzibah at the threshold of her chamber; only presuming, meanwhile, to note some of the heavy sighs that labored from her bosom, with little restraint as to their lugubrious depth and volume of sound, inasmuch as they could be audible to nobody save a disembodied listener like ourself. The Old Maid was alone in the old house. Alone, except for a certain respectable and orderly young man, an artist in the daguerreotype line, who, for about three months back, had been a lodger in a remote gable,—quite a house by itself, indeed,—with locks, bolts, and oaken bars on all the intervening doors. Inaudible, consequently, were poor Miss Hepzibah's gusty sighs. Inaudible the creaking joints of her stiffened knees, as she knelt down by the bedside. And inaudible, too, by mortal ear, but heard with all-comprehending love and pity in the farthest heaven, that almost agony of prayer —now whispered, now a groan, now a struggling silence—wherewith she besought the Divine assistance through the day Evidently, this is to be a day of more than ordinary trial to Miss Hepzibah, who, for above a quarter of a century gone by, has dwelt in strict seclusion, taking no part in the business of life, and just as little in its intercourse and pleasures. Not with such fervor prays the torpid recluse, looking forward to the cold, sunless, stagnant calm of a day that is to be like innumerable yesterdays. The maiden lady's devotions are concluded. Will she now issue forth over the threshold of our story? Not yet, by many moments. First, every drawer in the tall, old-fashioned bureau is to be opened, with difficulty, and with a succession of spasmodic jerks then, all must close again, with the same fidgety reluctance. There is a rustling of stiff silks; a tread of backward and forward footsteps to and fro across the chamber. We suspect Miss Hepzibah, moreover, of taking a step upward into a chair, in order to give heedful regard to her appearance on all sides, and at full length, in the oval, dingy-framed toilet-glass, that hangs above her table. Truly! well, indeed! who would have thought it! Is all this precious time to be lavished on the matutinal repair and beautifying of an elderly person, who never goes abroad, whom nobody ever visits, and from whom, when she shall have done her utmost, it were the best charity to turn one's eyes another way? Now she is almost ready. Let us pardon her one other pause; for it is given to the sole sentiment,