The Italian Renaissance by Peter Burke Read Free Book Online Page A

Renaissance Garden . New Haven, CT: Yale University Press, 1990.
Lee, R. W., ‘ Ut pictura poesis : the humanistic theory of painting’, Art Bulletin 3 (1940); repr. New York: W. W. Norton, 1967.
Lenzi, M. L. (ed.), Donne e madonne: l’educazione femminile nel primo rinascimento italiano . Turin: Loescher, 1982.
Leonardo da Vinci, Literary Works , ed. J. P. Richter. Oxford: Oxford University Press, 1939.
Lerner-Lehmkuhl, H., Zur Struktur und Geschichte des florentinischen Kunstmarktes im 15. Jahrhundert . Wattenscheid: K. Busch, 1936.
Lestocquoy, J., Aux origines de la bourgeoisie: les villes de Flandre et d’Italie sous le gouvernement des patriciens . Paris: Presses universitaires de France, 1952.
Levey, M., Painting at Court . London: Weidenfeld & Nicolson, 1971.
Lewis, C. S., The Discarded Image . Cambridge: Cambridge University Press, 1964.
Lillie, A., Florentine Villas in the Fifteenth Century: An Architectural and Social History. Cambridge: Cambridge University Press, 2005.
Lindow, J. R., The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy . Aldershot: Ashgate, 2007.
Lipset, S. M., and R. Bendix, Social Mobility in Industrial Society . Berkeley: University of California Press, 1959.
Lockwood, L., Music in Renaissance Ferrara, 1400–1505. Cambridge, MA: Harvard University Press, 1984.
Logan, O., Culture and Society in Venice 1470–1790 . London: Batsford, 1972.
Lopez, R. S., ‘Économie et architecture médiévales’, Annales ESC (1952), pp. 433–8.
—‘Hard times and investment in culture’, in W. K. Ferguson et al., The Renaissance: Six Essays . New York: Harper & Row, 1953.
—‘Quattrocento genovese’, Rivista Storica Italiana 75 (1963), pp. 709–27.
— The Three Ages of the Italian Renaissance . Charlottesville: University Press of Virginia, 1970.
Lord, A. B., The Singer of Tales. Cambridge, MA: Harvard University Press, 1960.
Lorenzi, G., Monumenti per servire alla storia de Palazzo Ducale . Venice: Visentini, 1868.
Lotto, L., Libro delle spese diverse (1538–1556) , ed. P. Zampetti. Rome and Venice: Olschki, 1969.
Lovejoy, A. O., The Great Chain of Being . Cambridge, MA: Harvard University Press, 1936.
Lowe, K. J. P., Nuns’ Chronicles and Convent Culture: Women and History Writing in Renaissance and Counter-Reformation Italy . Cambridge: Cambridge University Press, 2003.
Lowinsky, E. E., ‘Music in the culture of the Renaissance’, Journal of the History of Ideas 15 (1954), pp. 509–53.
—‘Music of the Renaissance as viewed by Renaissance musicians’, in The Renaissance Image of Man and the World , ed. B. O’Kelly, pp. 129–64. Columbus: Ohio State University Press, 1966.
Lowry, M., Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe . Oxford: Blackwell, 1991.
— The World of Aldus Manutius . Oxford: Blackwell, 1979.
Lydecker, J. K., The Domestic Setting of the Arts in Renaissance Florence . Ann Arbor, MI: UMI, 2001.
Lyotard, J.-F., The Postmodern Condition . Eng. trans., Minneapolis: University of Minnesota Press, 1984.
Machiavelli, N., Istorie fiorentine (1523). Eng. trans., New York: AMS Press, 1967.
— The Prince (1532). Eng. trans. ed. Q. Skinner and R. Price. Cambridge: Cambridge University Press, 1988.
McIver, K., Women, Art and Architecture in Northern Italy, 1520–1580 . Aldershot: Ashgate, 2006.
Mack, R. E., Bazaar to Piazza: Islamic Trade and Italian Art, 1300– 1600 . Berkeley: University of California Press, 2002.
MacKenney, R., ‘Arti e stato a Venezia tra tardo medioevo e ’600’, Studi veneziani 5 (1981), pp . 127–43.
—‘Guilds and guildsmen in sixteenth-century Venice’, Bulletin of the Society for Renaissance Studies 2/2 (1984), pp. 7–18.
— Tradesmen and Traders: The World of the Guilds in Venice and Europe, c.1250–c.1650 . London: Croom Helm, 1987.
McLean, P. D., The Art of the Network: Strategic Interaction and Patronage in Renaissance Florence . Durham, NC: Duke University Press,