replied in a thick voice. "Hell of a morning. Rushing around."
"Don't tell me about rushing around," said Dirk, completely meaninglessly. He launched himself down the stars.
"Don't pick it up, pick it up, pick i-
"Don't pick it up, pick it up, pick i-"
At the bottom there was a narrow corridor. The main door off it was heavily cracked and ha nging off its hinges. It opened into a large double room. Dirk was about to enter when a figure emerged from it and stood barring his way.
"I hate the fact that this case has got you mixed up in it," said the figure, "I hate it very much. Tell me what you've got to do with it so I know exactly what it is I'm hating."
Dirk stared at the neat, thin face in astonishment.
"Gilks?" he said.
"Don't stand there looking like a startled whatsisname, what are those things what aren't seals? Much worse than seals. Big blubbery things. Dugongs. Don't stand there looking like a startled dugong. Why has that..." Gilks pointed into the room behind him, "why has that. . .man in there got your name and teIephone number on an envelope full uf money?"
"How m..." started Dirk. "How, may I ask, do you come to be here, Gilks? What are you doing so far from the Fens? Surprised you find it dank enough for you here."
"Three hundred pounds," said Gilks. "Why?"
"Perhaps you would allow me to speak to my client," said Dirk.
"Your client, eh?" said Gilks grimly. "Yes. All right. Why don't you speak to him? I'd be interested to hear what you have to say." He stood back stiffly, and waved Dirk into the room.
Dirk gathered his thoughts and entered the room in a state of controlled composure which lasted for just over a second.
Most of his client was sitting quietly in a comfortable chair in front of the hi-fi. The chair was placed in the optimal listening position - about twice as far back from the speakers as the distance between them, which is generally considered to be ideal for stereo imaging.
He seemed generally to be casual and relaxed with his legs crossed and a half-finished cup of coffee on the small table beside him. Distressingly, though, his head was sitting neatly on the middle of the record which was revolving on the hi-fi turntable, with the tone arm snuggling up against the neck and constantly being deflected back into the same groove. As the head revolved it seemed once every 1.8 seconds or so to shoot Dirk a reproachful glance, as if to say, "See what happens when you don't turn up on time like I asked you to," then it would sweep on round to the wall, round, round, and back to the front again with more reproach.
"Don't pick it up, pick it up, pick i-
"Don't pick it up, pick it up, pick i-"
The room swayed a little around Dirk, and he put his hand out against the wall to steady it.
"Was there any particular service you were engaged to provide for your client?" said Gilks behind him, very quietly.
"Oh, er, just a small matter," said Dirk weakly. "Nothing connected with all this. No, he, er, didn't mention any of this kind of thing at all. Well, look, I can see you're busy, I think I'd better just collect my fee and leave. You say he left it out for me?"
Having said this, Dirk sat heavily on a small bentwood chair standing behind him, and broke it.
Gilks hauled him back to his feet again, and propped him against the wall. Briefly he left the room, then came back with a small jug of water and a glass on a tray. He poured some water into the glass, took it to Dirk and threw it at him.
"Better?"
"No," spluttered Dirk, "can't you at least turn the record off?"
"That"s forensic's job. Can't touch anything till the clever dicks have been. Maybe that's them now. Go out on to the patio and get some air. Chain yourself to the railing and beat yourself up a little, I'm pushed for time myself. And try to look less green, will you? It's not your colour."
"Don't pick it up, pick it up, pick i-
"Don't pick it up, pick it up, pick i-"
Gilks turned round, looking tired and cross, and was about
Shauna Rice-Schober[thriller]