soil for him to look at. “They’ll grow fast and tall. Now remember this: In July tell her to cut them down, about eight inches from the ground.”
“Before they bloom?” he asked.
“Yes, before they bloom.” Her face was tight with eagerness. “They’ll grow right up again. About the last of September the buds will start.”
She stopped and seemed perplexed. “It’s the budding that takes the most care,” she said hesitantly. “I don’t know how to tell you.” She looked deep into his eyes, searchingly. Her mouth opened a little, and she seemed to be listening. “I’ll try to tell you,” she said. “Did you ever hear of planting hands?”
“Can’t say I have, ma’am.”
“Well, I can only tell you what it feels like. It’s when you’re picking off the buds you don’t want. Everything goes right down into your fingertips. You watch your fingers work. They do it themselves. You can feel how it is. They pick and pick the buds. They never make a mistake. They’re with the plant. Do you see? Your fingers and the plant. You can feel that, right up your arm. They know. They never make a mistake. You can feel it. When you’re like that you can’t do anything wrong. Do you see that? Can you understand that?”
She was kneeling on the ground looking up at him. Her breast swelled passionately.
The man’s eyes narrowed. He looked away self-consciously. “Maybe I know,” he said. “Sometimes in the night in the wagon there—”
Elisa’s voice grew husky. She broke in on him, “I’ve never lived as you do, but I know what you mean. When the night is dark—why, the stars are sharp-pointed, and there’s quiet. Why, you rise up and up! Every pointed star gets driven into your body. It’s like that. Hot and sharp and—lovely.”
Kneeling there, her hand went out toward his legs in the greasy black trousers. Her hesitant fingers almost touched the cloth. Then her hand dropped to the ground. She crouched low like a fawning dog.
He said, “It’s nice, just like you say. Only when you don’t have no dinner, it ain’t.”
She stood up then, very straight, and her face was ashamed. She held the flower pot out to him and placed it gently in his arms. “Here. Put it in your wagon, on the seat, where you can watch it. Maybe I can find something for you to do.”
At the back of the house she dug in the can pile and found two old and battered aluminum saucepans. She carried them back and gave them to him. “Here, maybe you can fix these.”
His manner changed. He became professional. “Good as new I can fix them.” At the back of his wagon he set a little anvil, and out of an oily tool box dug a small machine hammer. Elisa came through the gate to watch him while he pounded out the dents in the kettles. His mouth grew sure and knowing. At a difficult part of the work he sucked his under-lip.
“You sleep right in the wagon?” Elisa asked.
“Right in the wagon, ma’am. Rain or shine I’m dry as a cow in there.”
“It must be nice,” she said. “It must be very nice. I wish women could do such things.”
“It ain’t the right kind of a life for a woman.”
Her upper lip raised a little, showing her teeth. “How do you know? How can you tell?” she said.
“I don’t know, ma’am,” he protested. “Of course I don’t know. Now here’s your kettles, done. You don’t have to buy no new ones.”
“How much?”
“Oh, fifty cents’ll do. I keep my prices down and my work good. That’s why I have all them satisfied customers up and down the highway.”
Elisa brought him a fifty-cent piece from the house and dropped it in his hand. “You might be surprised to have a rival some time. I can sharpen scissors, too. And I can beat the dents out of little pots. I could show you what a woman might do.”
He put his hammer back in the oily box and shoved the little anvil out of sight. “It would be a lonely life for a woman, ma‘am, and a scary life, too, with animals creeping
Shauna Rice-Schober[thriller]