them!—and suddenly, for an instant, he had a craving to read Shakespeare, rush home and sit down with
Antony and Cleopatra
and enjoy the feast of language that was, perhaps, the only true pleasure in the world. But that was irrational, irresponsible: Shakespeare was there, would always be there, when he wanted him; the thing to do was appoint a certain period, regularly, perhaps two hours every day, every evening, why not, he had plenty of time, nothing but time—his eye went back to the handbag.
M. Mc
. Irish or Scotch? She was an attractive girl; black hair, beautiful fair complexion. Were they sleeping together? Was he nice to her? They probably didn’t begin to appreciate each other physically, they were too young. The young man would be carried away in his own excitement, she in hers, with no thought of each other’s sensations. Did he know what his body did to her? Did she forget herself long enough to prize his, did she lay her head on his stomach, feel his chest and thighs, was he big? The questions suddenly seemed important, they were all that matteredin the room—important, dangerous and exciting. He felt reckless and elated, larger than life. If she were not there, if the young man were alone, he would advance and find out a thing or two, amused at his own daring, amused at the young man’s shock. Or if the young man should go, leaving the girl, if she should look over and see him, let him speak to her, if he should move closer, if they should leave together, go home—how he would teach her what it was to be with a man! It was all one to him, for the moment he was like a god who could serve either at will. The handbag caught his eye and he puzzled about its contents.
He signaled for another gin-vermouth and turned his attention to the room. Odd how he could sit there unobserved by others; he was the only one alive in the place, the only one who
saw
. Their preoccupation with each other, his own solidarity, completeness, self-sufficiency, aloofness, gave him a sense of elevation and excellence that was almost god-like. He smiled with tolerance at the room, and felt so remote and apart that he might have been unseen. He was unseen; for he had had to signal for minutes before he got the attention of the waiter, the bartender had never glanced his way, no, not once since he had sat down, the baby-faced pianist had eyes only for the couples of men and girls, and they for each other. If he should melt into air, dissolve and leave not a rack behind (why had he never looked up what a rack was?), no one would notice. Some time later the waiter would come upon the empty glass at the empty table and wonder when he had gone.
Or if he should lift this handbag, pull it toward him, cover it with the skirt of his coat, who should see? What could be in it, how much money? What would it be like to steal a purse (’tis something, nothing, ’tis mine, ’tis his), how would you feel? Would it be fun, what kind of satisfaction would it give you? A dozen excitements possessed him: he was ridden with curiosity to know what was in the handbag, he could use the money (possibly a fair sum), he wanted to see for his own satisfaction if he could getaway with it—commit the perfect crime. Absurd! But on a tiny, on a very small scale that’s exactly what it would be. He would return the bag to the owner afterward, having removed and used the cash. Her address was bound to be inside and he would send the bag back in the mail, with a witty, charming anonymous note, signed, perhaps, “Mr X—and sometimes W and Y.” Oh, he could use the money (he wondered how much there was, he had to know), but mostly he wanted to see how it would feel to get away with it, he wanted to prove to himself that he could. It would be a new experience, unlike anything he had ever done; certainly that made the risk worthwhile, for how else was a man’s life enriched if not by new experience, letting oneself in for all the million possibilities of
The 12 NAs of Christmas, Chelsea M. Cameron