Erica.â
âCongratulations on The View. Iâm sure Nancy Huffman found you a nice dress.â
Boy, thereâs no privacy around this place. Two men Erica has never seen before, wearing sunglasses and dark suits, walk past her office. She gets up and closes the door.
âListen, I want to find an IT expert who can explain how the Staten Island ferryâs computer systems work.â
âWeâve got one of the best in-house, Mark Benton. Heâs in charge of keeping our work computers up-to-date and running smoothly. Heâs on the third floor. Extension 4437.â
Erica decides to go down to the third floor and meet Benton in person. Just as she gets up, thereâs a rap on her door andâbefore Erica has a chance to answerâClaire Wilcoxâs head pops in. âPeek-a-boo!â she chirps in a failed attempt at girlish charm. She strides into the room, slaps on a serious expression, and says, â Good work.â
âThank you.â
âWeâre a team here at GNN, and when one of us does well, it reflects well on all of us.â
Ericaâs bullcrap alarm starts to sound.
âYou probably know that my show is our highest rated. Which lifts us all up.â She gives Erica a meaningful glance. âI mean without a flagship show, the network would be floundering. Nylan might decide he canât continue to bleed money and shut the whole thing down.â
Erica doesnât remind Claire that her ratings are far from stellar, and that Erica broke the networkâs viewership records with her ferry coverage. âYour point is taken.â
âGood. Then Iâm sure youâll understand why Iâm taking over the Staten Island ferry story.â
âYouâre what !â
âIâm just much better equipped to handle it. Iâve got a staff of five, including a full-time researcher. Iâm running a special segment on the tragedy on my show today. Iâve already got the footage of your interviews with the NTSB and the pilot. Weâre editing you out. Scott Lansing, the nationâs top expert on boat safety, is going to be my live guest.â
Erica thinks, This isnât a story about boat safety. Itâs about what caused the ferryâs computer system to freeze up. But she doesnât say a peep.
âAre you going to use my live footage of the crash?â
âItâs not your footage, Erica. It belongs to the network. Of course Iâm going to use pieces of it. The visuals in particular are very strong.â
âAnd The View ?â
âIâve spoken to Nan Sterling, the lead producer over there, and she insists that I do the show. Nan and I were at Stanford together,â Claire says, letting a little country club seep into her inflections. âBut the decision was purely a professional one.â
âNo doubt.â
âWell. There we have it.â Thereâs an awkward moment. Claire looks around the office, spies Ericaâs array of earrings. She reaches up and casually fingers the fat diamond stud in her right ear. âThose earrings are so darling. Target?â
And then sheâs gone, leaving behind a whiff of some perfume Erica canât afford.
Erica gets up, crosses the office, and shuts the door. The blood is pulsing in her temples so fast and hard she thinks she might faint. Or throw up. That witch!
âIâm just much better equipped.â
âItâs not your footage, Erica.â
âThe decision was purely a professional one.â
Suddenly Erica is back in that dark-paneled freshman dining hall at Yale, afraid to open her mouth, ashamed of her broad Maine accent, slumping further and further down in her chair, hoping her classmates will forget sheâs there. They even hold their knives and forks differently. Did their parents buy their social ease, their casual confidence, all the talk of horses and Vail and the school their family is funding in