its character it transformed a suburban section of ordinary Southern California canyon into a wild Scottish glen. Laurel told Ellery that the Priam property extended up and along the hill for four or five acres and that it was all like the area about the house.
âJungle,â said Ellery as Laurel parked the car in the driveway. There was no sign of the cream Cadillac.
âWell, heâs a wild animal. Like the deer you flush occasionally up behind the Bowl.â
âHeâs paying for the privilege. His electric bills must be enormous.â
âIâm sure they are. There isnât a sunny room in the house. When he wants â you canât say more light â when he wants less gloom, and air that isnât so stale, he wheels himself out on that terrace there.â To one side of the house there was a large terrace, half of it screened and roofed, the other open not to the sky but to a high arch of bare gum eucalyptus leaves and branches which the sun did not penetrate. âHis den â den is the word â is directly off the terrace, past those French and screen doors. Weâd better go in the front way; Roger doesnât like people barging in on his sacred preserves. In the Priam house youâre announced.â
âDoesnât Delia Priam have anything to say about the way her house is run?â
âWho said itâs her house?â said Laurel.
A uniformed maid with a tic admitted them. âOh, Miss Hill,â she said nervously. âI donât think Mr. Priam ⦠Heâs dictatinâ to Mr. Wallace. I better not â¦â
âIs Mrs. Priam in, Muggs?â
âShe just got in from shoppinâ, Miss Hill. Sheâs upstairs in her room. Said she was tired and was not to be disturbed.â
âPoor Delia,â said Laurel calmly. âI know Mr. Queen is terribly disappointed. Tell Mr. Priam I want to see him.â
âBut, Miss Hill ââ
A muffled roar of rage stopped her instantly. She glanced over her shoulder in a panic.
âItâs all right, Muggsy. Iâll take the rap. Vamos , Ellery.â
âI wonder why she ââ Ellery began in a mumble as Laurel led him up the hall.
âYours not to, where Delia is concerned.â
The house was even grimmer than he had expected. They passed shrouded rooms with dark panelling, heavy and humourless drapes, massive uncomfortable-looking furniture. It was a house for secrets and for violence.
The roar was a bass snarl now. âI donât give a damn what Mr. Hill wanted to do about the Newman-Arco account, Foss! Mr. Hill âs locked in a drawer in Forest Lawn and he ainât in any condition to give us the benefit of his advice ⦠No, I wonât wait a minute, Foss! Iâm running this â business, and youâll either handle things my way or get the hell out!â
Laurelâs lips thinned. She raised her fist and hammered on the door.
âWhoever that is, Alfred â! Foss, you still there?â
A man opened the heavy door and slipped into the hall, pulling the door to and keeping his hand on the knob behind him.
âYou picked a fine time, Laurel. Heâs on the phone to the office.â
âSo I hear,â said Laurel. âMr. Queen, Mr. Wallace. His other name ought to be Job, but itâs Alfred. The perfect man, I call him. Super-efficient. Discreet as all get-out. Never slips. One side, Alfred. Iâve got business with my partner.â
âBetter let me set him up,â said Wallace with a smile. As he slipped back into the room, his eyes flicked over Ellery. Then the door was shut again, and Ellery waved his right hand tenderly. It still tingled from Wallaceâs grip.
âSurprised?â murmured Laurel.
Ellery was. He had expected a Milquetoast character. Instead Alfred Wallace was a towering, powerfully assembled man with even, rather sharp features, thick white hair, a tan, and an air