âCause I donâtâ The jam?â She watches Peterâs hand shake as he reaches for a jar of preserves; his face is pink beneath his perfect hair. âI donât actually remember her being here when you were home.â
âStrawberry or . . . ?â
âYeah,â she says. âStrawberryâs fine. So when were you and Celia both here again?â
âI didnâtâ Jesus, Dana, what is this anyway? I didnât actually write it down. âMet Celia at six oâclock this evening. Our kitchen. Dana hosting.ââ He laughs a tight little pretend laugh.
âDid you kill her?â Danaâs heart is racing. She wipes her sweaty palms across the thighs of her pajamas as Peter chokes on his coffee. She watches him cough until tears run down his cheeks, and she wants him to say yes, prays heâll say yesâthat sheâll see a killer, a demon there inside her husband, peeking out his squinty hazel eyes. Crazily, she wills him to nod, to shrug, to raise his hands in a gesture of surrender, because if Peter killed their neighbor, then sheâll know that she did not. Theyâll get him off, she thinks of telling him. Theyâll hire the best attorney in the state.
âWhat the fuck is wrong with you?â Peter asks when he can speak. He sounds like a frog.âTake it easy,â she says, but her heart slams against her ribs. âYou are so not a morning person.â
âWhy would you say something like that?â
Dana shrugs. âI was kidding.â
âPeople donât kid like that,â Peter points out. âNot normal people.â
Heâs so different now from who he was when they first met, when Dana was twenty-two, working at a Manhattan law firm, reinventing herselfâwhen Peter was naïve and eager, trying unsuccessfully to fit in with the senior attorneys. Or so sheâd thought. Nowshe thinks he was neither innocent nor particularly eager. He was only new and insecure.
âWeâre out of sugar.â He scrapes a spoon across the bottom of a large glass canister, where a damp clump of granules remains.
She nods. She thinks about grabbing his cell phone out of his back pocketâshe can see the small, thin bulge of it when he leans over the counterâand scrolling to Celiaâs number in his contacts list. She thinks about pressing down her thumb, connecting with the message, with the âYou know what to doâ on Celiaâs recording.
She takes another bite of toast, feeling it stick to the roof of her mouth, dry as dust, and she stares past Peterâs shoulder out the window. From behind the oak tree at the back of the yard, a form steps onto the lawnâa hooded form in black. The hood is overlarge and moving slightly in the breeze, obscuring whatever face is there. Only the dark form is visible, stooped over in the shadows of the trees.
Dana jumps up, knocking over a glass. âThereâs someone out there,â she says. âLook!â
Peter sighs. He doesnât move. He doesnât even turn around.
âLook! Justâ For Godâs sakeââ
He turns around finally, slowly, running his hands through his hair, but the creature in the hoodie is no longer visible; itâs lost in the oaks that edge into a patch of county land, a tiny wooded plot at the far end of their yard.
âYou have to get some help,â Peter tells her. âYouâre sliding toward theâ No. Youâre careening toward the edge.â
Dana nods.
âReally,â he says. âSoon. Before itâs too late,â and Dana nods again. She knows heâs right. No matter how she feels about him, no matter what a philanderer he is, about this at least heâs right, and she wonders how much time she has before the doors start closing, before her sharp assessments turn to disconnected scraps ofsight and sound, before she is mad as a hatter. She hopes thereâs