The Polish Officer by Alan Furst Read Free Book Online

Somewhere above, the bandit was wailing and cursing like a child. De Milja hung on to the reins with one hand and snatched the rifle barrel with the other. The weapon fired but he didn’t let go. Then the boy came out from behind a locomotive wheel and hit the bandit on the head with the shovel, which rang like a bell as the rifle came free in de Milja’s hand and the horse tore away from him.
    The other bandit danced his pony around and shot the boy again and again, de Milja could hear the bullets hit, and the boy grunted each time. He fumbled the rifle around to firing position but the bandit galloped away, jumped his horse over the coupling between cars and disappeared. De Milja flinched as something hissed by his ear. Then Nowak called to him from the coal car and he ran up the ladder mounted on the wall as a bullet struck a silver chip out of the iron and the locomotive’s light went dark. Two horses thundered past, then a cluster of rapid rifle shots, a yell of triumph.
    Nowak was lying on the coal at one end of the car, firing a rifle into the darkness. De Milja threw himself down beside him. Between the train and the forest, dark shapes were sprawled amid clothing and suitcases. A yellow spark from the trees—both he and Nowak swung their weapons. Nowak fired, but de Milja’s clicked as the hammer fell on an empty chamber. He threw it aside and worked the pistol free from beneath his sweater. “Who has the other rifles?” de Milja asked, meaning the weapons they had hidden behind a panel.
    “Don’t know, sir,” Nowak said. “It’s chaos.”
    He couldn’t permit chaos. Rolled over the lip of the car, slid down the ladder on the other side, stood between cars for a moment, then jumped to the ground and ran along the length of the train. The conductor ran by him going the other way, eyes white, teeth clenched, pistol held up in the safe position. Combat-mad, he never even saw de Milja, who wondered who he was chasing. Passengers were climbing through the coach windows; some of them had gotten a horse off its feet and it kicked and whinnied in terror as they tried to kill its rider, who howled for mercy. De Milja stepped on a body, then through a tangle of clothing that reeked of cloves—hair tonic from a shattered bottle. He tripped as he leaped for an open doorway, then went sprawling into the last coach.
    The smell of gunpowder and urine hit him like a wall. Someone moaned softly, but mostly it was very dark and very quiet—the people packed together on the floor were breathing audibly, as though winded. A bullet from the forest went through the car and a triangle of glass fell on a seat without breaking. A silhouette rose suddenly in the middle of the car and returned the fire.
    As de Milja crawled along the aisle, the train moved. Barely, only just making way, but he thought he could feel the logs being slowly forced off the track. The engineer is alive, he thought, using the locomotive like a bulldozer. The rifleman knelt quickly, moved on his knees to a neighboring window, straightened up, and fired. It was Herschensohn, the violinist. The homburg was jammed down on his head, a muscle ticked in his jaw, and he was muttering under his breath—“Stay still, you”—as he took aim.
    De Milja reached the far end of the car—the back of the train—just as something seemed to give way and, with the sound of splintering wood, the train moved a little faster.
    “Wait!”
    A running shape burst from the forest—the peasant girl who’d begged to be let on the train at the water tower. “She got away!” Herschensohn had appeared beside him. The girl ran in panic, tripped, went sprawling on her face, struggled back up again, limping now and much slower. She waved her hands and screamed as the train gradually picked up speed.
    De Milja was abruptly shoved aside. A man in a gray suit, with carefully brushed hair, leaped off the train and ran toward the girl, circled an arm around her waist and tried to