She then looked at the vedder and said, âHeâs always making dumb jokes.â
The vedder wasnât laughing. âGive me your hand, please.â
âNot if youâre gonna poke me again,â I protested.
Goth boy gave Aja an impatient look.
âHold up your hand, Pendragon,â she commanded.
Reluctantly I held up my hand again, prepared for more pain. But the vedder quickly snapped a silver bracelet around my wrist. It looked more like a high-tech device than jewelry. It was smaller than Ajaâs, about two inches wide, with three square buttons that were flush to the surface.
âEnjoy your jump,â the vedder said, though I was betting he didnât care one way or the other.
I smiled at the guy anyway, then followed Aja toward a door at the far end of the room. âWho was the kid in the picture?â I whispered.
âDr. Zetlin, the person who invented Lifelight.â
âA kid invented all of this?â I asked, unbelieving.
âA very smart kid,â was her answer.
âYeah, no kidding.â
Aja then pushed open a door, and we continued into a long corridor that can be best described as mission control ⦠times about a thousand. The walls were made of glass. Through them I saw a series of high-tech workstations that looked like they each had enough electronic muscle to launch about a million space shuttles. Each station was its own separate, enclosed cubicle. I guessed that there were around fifty of these workstations on either side of the corridor. Then there was a whole nother row of workstations above them. So a rough guess was that there were around two hundred of these high-tech rigs.
There was one phader in each, wearing the signature blue jumpsuit and sitting in the coolest looking chair I had ever seen. It was black, with a high back, and wings near the head that spread out to either side. The arms of the chair were wide, with a silver control panel on each side where the phader could touch the myriad of buttons that worked ⦠whatever.
In front of each phader was a wall of computer screens. A quick count told me that each phader was looking at around thirty screens. Hereâs the strange part (as if everything up until now wasnât strange): Each of the computer monitors was showing a different movie. Multiply the thirty movies playing in each cubicle by two hundred cubicles and thatâs like six thousand movies, all playing at the same time. I figured this might be some kind of satellite TV operation that beamed shows all over Veelox.
I couldnât have been more wrong.
âThis is where I work,â Aja explained. âItâs called the âcore.â The phaders troubleshoot the hardware, upgrade when necessary, and monitor the jumps to make sure everyone is okay.â
âAnd what do the vedders do?â
âThey take care of the jumpers physically. Thatâs why they took your blood. They make sure the jumpers are safe and healthy.â
âWhat are the movies theyâre watching?â I asked.
âThose are the jumps, â Aja answered, trying not to sound too impatient.
I looked through the glass at one of the banks of monitors and saw that the action on the screens wasnât continuous. Every few seconds each screen changed to another bit of action, like turning the channels on a TV. I focused on one screen to see a hot sailboat gliding through tropical waters. The image then changed to the point of view of a skier flying down a snowy mountain, expertly dodging through trees. On the screen next to that I saw what looked like a stadium full of people watching a game that was like soccer, but played with a big orange ball the size of a monster pumpkin. That screen then changed to the quiet scene of a cozy fireplace and an older woman drinking tea.
âPeople come here to watch movies?â I asked.
Aja chuckled. âSomething like that. Come on.â
She led me down the long