secret society which followed the teachings of Babeuf and Buonarroti but infused this Communism with a Christian apocalyptic vision. For Weitling, the ideal society, the outcome of a violent revolution, would be a return to the Christian community of goods. Like Babeuf, his principal concern was equality (though he was prepared to concede the odd luxury to those who did extra work). He did try to solve the problem of monotony, but his main proposal was that workers had to be taught to enjoy work by doing three years of compulsory service in a quasi-military industrial army. Weitling was probably the most influential socialist in Germany, and his ideas influenced a generation of German workers living in exile in London, Brussels, Paris and Geneva. The League of the Just, one of the largest of these German radicals’ secret societies, adopted Weitling’s ideas in its official manifesto in 1839, and members of the group took part in an insurrection in Paris in the same year, led by the conspiratorial, Jacobin-influenced August Blanqui.
However, not all Communists, including some within the League of the Just, were enthused by the hair-shirt socialism of the Babouvians and Weitling. Schapper, one of the leaders of the London branch of theLeague, condemned Weitling’s Communism as joyless and despotic: ‘just like soldiers in a barracks… In Weitling’s system there is no freedom.’ 5 But particularly hostile to this aspect of Communism were the Romantic, or ‘utopian’, socialists, and their most eccentric representative, Charles Fourier.
The term ‘
utopian
socialism’ was used by Marx and Engels as a way of dismissing a large number of their rivals, and denigrating their ideas in comparison with their own ‘
scientific
socialism’. Despite this, it does describe one strain of socialism in the early nineteenth century. 6 Unlike the Communists, the utopians were generally not workers and initially did not have a close connection to working-class movements. They were also considerably less interested in seizing the central state. Instead, they focused their efforts on fashioning small, experimental communities, and presented a vision of the ideal society that was more appealing to many than the Spartan egalitarianism of the Babouvists. And rather than enforcing Weitling’s Christian morality, they sought to challenge what they saw as the oppressive doctrine of original sin on which Christianity was founded. Mankind, they argued, was naturally altruistic and cooperative, and right-minded education would permit these qualities to predominate. They were particularly hostile to what they saw as the grim work ethic of the new industrial capitalism, which was so closely associated with Christian, and particularly Protestant, ideas of the time. The factory system and the division of labour transformed men into machines and life into joyless drudgery. Society had to be organized so that everybody in the community could be creative and develop their individuality. Their vision was therefore Romantic in spirit. Though unlike the Jacobins, whose Romanticism was one of the self-sacrificing heroism of the soldier, theirs extolled the self-expression and self-realization of the artist.
François Marie Charles Fourier was one of the principal theorists of this utopia of pleasure and creativity. Scarred by the experience of Jacobinism, he rejected all forms of violent revolution, and of economic equality. Instead he started from the notion that modern civilization, which suppressed the natural desire for pleasure, was responsible for human misery. In its stead he proposed new model communities – ‘phalansteries’ – in which social responsibility and passions would coexist. 7 Each of these communities would include 1,620 people. Work would be pleasurable and tasks would be allocatedaccording to the character of each individual. People also needed variety, and the working day would be divided up into two-hour periods, in each