fondness
for that meat when itâs grilled
with no concern for the panicked voice
calling everywhere for Mitzi.
Headache.
I canât sleep.
I go out on the veranda
and sit.
Something is moving up there.
A little girl
climbing the mountain
with a pail of water on her head.
Here we live on injustice and fresh water.
Drawing a Blank
The young man who sweeps
the hotel courtyard every morning
brings me a coffee and a message from my sister.
She didnât want to wake me
but my mother is not doing well.
She has locked herself in her room
and wonât open the door for anyone.
Everyone looks pretty happy to me. My sister kisses me as she dances. Whatâs going on? Nothing. What about my mother? That was this morning, now sheâs fine. It happens sometimes, you know. In Montreal I would fall into an abyss without warning and not surface for hours. The enemy, in Montreal, is on the outside, when itâs minus thirty for five days in a row. Here the enemy is within, and the only nature we have to tame is our own.
I hear my mother singing. A song popular in her youth. Radio Caraïbes often plays it on its oldies show, Chansons dâautrefois. My sister whispers that sheâs often like this after one of her descents into hell.
Marie, her name so simple
itâs like
sharing my mother
with all my friends.
When I think about it I donât have any stories
about my mother from when she was young.
Sheâs not the type to talk about herself.
Aunt Raymondeâs stories are all
about her own person.
In vain I try to glimpse my mother
behind her.
My mother does not swim
in the great sea of History.
But all individual stories
are like rivers that run through her.
In the folds of her body she keeps
the crystals of pain of everyone
I have met in the street since I came here.
Pain.
Silence.
Absence.
None of that has anything to do
with folklore.
But they never
talk about those things
in the media.
Ghetto Uprising in the Bedroom
In my nephewâs little room.
Books on a narrow shelf
next to a Tupac Shakur poster.
I spot one of my novels
and a collection of poems by his father.
My eyes seek out every detail
to help me travel back through the stream of time
and recover the young man
I was before my sudden departure.
We are sitting on the unmade bed
watching a documentary about violent gangs
battling each other in the lower reaches of the city.
Gunshots ring out.
From time to time, my mother comes in
and gives us a suspicious look.
My nephew is at the age when death
is still something esthetic.
From close range a Danish television crew is following
the violent confrontations that have been raging
for months in this miserable district.
Graffiti on a wall shows an empty stomach
and a toothless mouth holding a gun
heavier than the weight of the average adult
in that part of town.
A young French woman
has entered this seething slum.
Close-ups on the two brothers as sensitive
as cobras in the sun.
Each heads his own gang.
The young woman travels back and forth
between the two brothers.
One loves her.
She loves the other.
A Greek tragedy in Cité Soleil.
Bily is obsessed by his younger brother
who took on the name Tupac Skakur.
Fascination with American culture
even in the poorest regions
of the fourth world.
I watch the two brothers
strolling through the Cité.
Undernourished killers.
Emaciated faces.
Cocaine to burn.
Weapons everywhere.
Death never far.
I wonder what my nephew
thinks about all this.
Itâs his culture.
The new generation.
Mine was the â70s.
Weâre all cloistered in our decades.
These days the murderer strikes at noon
in this country.
Night is no longer the accomplice of the killer
who dreams of adding his star to the firmament.
To reach the heavens nowadays
they have to kill with their face uncovered
and trumpet their acts on the TV news.
The Tonton Macoutes of my era had
to hide