been of the obscure Saxe-Coburg
princeling Albert.
She might have embraced Orthodoxy with all her heart, but Alix
was English through and through, with English habits, English
sentiments and a no-nonsense English approach to family life bred
in the bone by her mother and grandmother before her. Such a
background would have served her well had she remained within
the familiar sphere of her Western-European bloodline, but Russia
– despite the seductive beauty of its landscape, which she already
loved – was unknown territory, a country legendary for its turbulent
history and for the overpowering wealth and grandeur of its court.
Fin-de-siècle imperial St Petersburg was a far cry from the comfortable domesticity of the Neues Palais and the rose gardens of
Darmstadt.
Nevertheless, for the sake of love, ‘gentle simple Alicky’ had
summoned up all her courage to leave the shelter of her brother’s
quiet and peaceful residenz in Darmstadt to become ‘the great Empress of Russia’.49 To counter her apprehensions about the unfamiliar court practices she was presented with, she closed the door
to the hostile world outside and everything in it that frightened her.
Instead, she clung to those few close, familiar things in which she
took comfort, and to her role as Nicholas’s devoted ‘little wifey’.
For now, the world – and Russia – could wait.
Except in one respect: shortly after Alexander III’s death, Nicholas
had issued a proclamation commanding his subjects to swear the
oath of allegiance to him as their new tsar. His younger brother
Grand Duke Georgiy Alexandrovich, he proclaimed, would bear the
title of tsarevich ‘until it please God to bless our approaching union 24
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with the Princess Alix of Hesse-Darmstadt with the birth of a son’.50
In the dynastic scheme of things, Alix’s primary and most urgent
duty was to provide a male heir to the Russian throne.
25
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Chapter Two
LA PETITE DUCHESSE
N
From her very first days in Russia, Princess Alix of Hesse was deter-
mined to counter anything she saw as a threat to the quiet family
life that she had envisaged for herself and Nicky. Family had been
her only security when death had taken those most dear from her;
she was far from home, lonely and apprehensive, and dreaded being
exposed as an object of curiosity. But in protecting her own deeply
held insecurities by retreating, at every opportunity, from public
view, she only succeeded in accentuating her already marked air of
chilly reserve. Alexandra Feodorovna, as she was now styled, found
herself at the receiving end of hostile looks from a Russian aristoc-
racy that was already critical of her English upbringing and manners
– and, to their horror, her poor French, which was still very much
the language of their elite circles.1 Worse, this insignificant German princess had, in the eyes of the court, displaced the much loved and
highly sociable former empress, Maria Feodorovna – a still vigorous
widow in her forties – from her central position at court.
From the first, Alexandra found the strain of fulfilling her cere-
monial duties almost intolerable, such as in January 1895, when she
had to face a line of 550 court ladies for the New Year baise-main ceremony at which they all processed to kiss her imperial hand. Her
visible discomfort and habit of recoiling in horror when anyone
tried to get too close were quickly misinterpreted as manifestations
of a difficult personality. Her new sister-in-law Grand Duchess Olga
Alexandrovna later recalled: ‘Even in that first year – I remember
so well – if Alicky smiled they called it mockery. If she looked grave 26
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LA PETITE DUCHESSE
they said she was angry.’2 And so, in response, Alexandra retreated
behind the protective wall of domesticity, preoccupied with the one
thing primarily expected of her