Riccardo held her back. They laughed.
The lawyer flicked his cigarette butt down off the building.
âIâm the one whoâs afraid of heights.â
That night the witch threw a pebble at the young priestâs window.
âFather, I dreamt about my son and your cat. Father, wake up.â
He was already awake. He turned over on his other side and closed his eyes.
âI dreamt about my son.â
The young priest clutched the sheet, yanked it, then got out of bed and went to the window, cracked it open. The witch was wrapped in a headscarf, numb with cold.
âCan I come in?â
âGo home.â
âSo it isnât true that the house of the Lord is always open?â
The young priest descended to the ground floor and went through a side entrance to the church. He did up the last button of his nightshirt and opened the front door.
The witch came toward him.
âI dreamt of my son. He was playing with your cat.â She laughed. âYou look good in pyjamas.â She removed her headscarf and let her hair down, took two steps which were one. Arrived at the votive altar and picked up a new candle.
âTell the Lord why you killed your son.â
âItâs a secret.â
âHe keeps everyoneâs secrets.â
The witch lit the candle and reserved the first bit of melting wax for herself, dripping it onto the back of her hand. âBecause it was the son of my father.â It burned.
The young priest didnât move.
She looked at him.
âI donât know why Iâm telling you all this.â
âYouâre telling it to God.â
âIâm telling it to you.â
11
The next morning the first to stop by the conciergeâs lodge was Viola, holding four wrapped pastries and jingling the bracelets at her wrist.
âNow Iâm spoiling you, Pietro,â she said as she entered. â
Cornetti alla crema
.â
âIâve already had breakfast, thank you.â
She put the packets down on a wicker chair.
âEverything all right?â
The concierge held out her post to her and checked a note that he had made in his diary.
âNicolini the magician is coming to see the courtyard for the little girlâs birthday.â
âI was going to tell you. Luca has to leave for the hospital soon. Heâll talk to you about it when he comes down.â
Viola looked at the Bianchi leaning against the wall behind them. It had been sanded down. Beside it were two open tins of paint, one red and one bottle green. She bent down and picked up a brush, dipped it into the red.
âIâll just try.â
She painted a bit of the top tube and nodded to herself, painted another bit and blew on it.
âNow get on.â
Pietro kept his back to her.
âCâmon, itâll suit you. Get on. Without getting wet paint on yourself.â
The concierge hid his hands in his pockets. The sandpaper had abraded his palms and cut up his thumbs. When he had come down from the roof terrace he had begun to strip the Bianchi, in a fury. The front fork came first and then everything followed. He had stopped when the doctor had returned from the hospital, in the dead of night.
âIt was just to see how you looked on it.â
Pietro hesitated, then climbed on the Bianchi and grasped the handlebars.
Viola smiled, like in the photograph of the lavender field, full of candour and sensuality.
âItâs official: red.â She slipped her post into the pocket of her jeans and rested a hand on his back.
âAnd youâll be sorry if you donât let me know when youâve finished painting it. Weâll have to have a test run.â
âTest run for what?â A voice came from the entrance hall.
Both of them turned around. Riccardo smiled at the lodge door. He was holding a backpack.
Viola tightened the straps on her shiny high heels, clicked them against each other. Gathered up the pastries, no longer