Toni instead of tailing me back to the hotel, this meant... I didn’t know what it meant.
It was time to think hard and move slowly; it was time for great caution and thorough planning to retrieve, if possible, what could turn out to be a fatal mistake very early in the operation.
It was no time to consider small girls with black hair and unplucked eyebrows. As far as the job was concerned— as far as my duty was concerned—Antoinette Vail had either served a purpose or failed to serve it. Either way, what happened to her now was quite irrelevant.
Still, I told myself, I might learn something by going back, and the man with the craggy face couldn’t be two places at once. If he had business with Antoinette, whatever it might be, he was, for the moment, no threat to Olivia. I could indulge my sentiment or curiosity or sense of responsibility a little. I could at least find out what had happened back there, if anything.
The cabbie I got had trouble with one-way streets, and it seemed a long time before I was again standing on the sidewalk in front of the three-story building. There was a light behind the drawn blinds of one of the dormer windows high above. Well, she’d told me she painted. She could have had a midnight burst of artistic inspiration, but it would have been more reassuring if the window had been dark, as if she’d gone right to sleep, tired after an exciting evening.
I went up the stairs fast without taking any of the precautions in the manual except to keep my hand on the little knife in my pants pocket. When I reached the third-floor landing I saw that the door was ajar, and I knew I’d come too late. I drew a long breath, pushed the door aside and stepped into the brightly lit room.
It was a big place under the slanting eaves. At least the floor space was sizable; the ceiling space was less so. A skylight and the window presumably gave illumination by day. Now the light came from a couple of dangling bulbs without shades. There was an easel, but it had been knocked over. There were paints, and some pots of brushes, one of which had been spilled on the floor. There were stacks of canvases on stretchers, several of which had got knocked around. There was a table, stove, refrigerator, and sink; and there were several wooden chairs, some overturned, that looked as if they’d been picked up secondhand like the rest of the furniture.
A cot stood in the corner. It apparently had been shielded from the room by a painted screen, but this had been flung aside. On the cot, face down, lay a small, motionless, terribly disheveled figure, wearing only some torn, shiny pink stuff bunched about the hips and one laddered stocking. The other stocking, the pink satin pumps, and some scraps of undergarments were distributed about the floor with the painting debris. Her long white gloves were laid out neatly on the little, undisturbed table by the door, as if she’d just removed them, starting to undress, when somebody had knocked and she’d turned to answer...
I closed the door behind me and crossed the room. I had no real hope. I didn’t speak because I didn’t expect her to hear. I put my hand on her shoulder and was more startled than a man of my experience ought to be when she stirred at the touch and sat up abruptly, tossing the tangled black hair out of her eyes.
“You,” she whispered. “You!”
“Me,” I said, withdrawing my hand.
“You came back,” she whispered. “Well, I hope you’re satisfied! He did a good job, didn’t he? You must be very pleased! You’ve proved something, haven’t you? I don’t know what, but something. Oh, God, and I thought you were nice. Nice!”
After a little, indifferently, she pulled up a handful of the wrecked satin dress to cover her breasts, but not before I’d seen the ugly bruises. She had an incipient black eye and a cut lip. There was blood on her chin from the cut. But she was alive, I told myself. At least she was alive.
She licked her lips,