beat her breast in anguish.
* * *
In another part of the city a man stood in a latticed balcony overlooking a long street in which torches tossed luridly, smokily revealing upturned dark faces and the whites of gleaming eyes. A long-drawn wailing rose from the multitude.
The man shrugged his broad shoulders and turned back into the arabesque chamber. He was a tall man, compactly built, and richly clad.
“The king is not yet dead, but the dirge is sounded,” he said to another man who sat cross-legged on a mat in a corner. This man was clad in a brown camel-hair robe and sandals, and a green turban was on his head. His expression was tranquil, his gaze impersonal.
“The people know he will never see another dawn,” this man answered.
The first speaker favored him with a long, searching stare.
“What I can not understand,” he said, “is why I have had to wait so long for your masters to strike. If they have slain the king now, why could they not have slain him months ago?”
“Even the arts you call sorcery are governed by cosmic laws,” answered the man in the green turban. “The stars direct these actions, as in other affairs. Not even my masters can alter the stars. Not until the heavens were in the proper order could they perform this necromancy.” With a long, stained fingernail he mapped the constellations on the marble-tiled floor. “The slant of the moon presaged evil for the king of Vendhya; the stars are in turmoil, the Serpent in the House of the Elephant. During such juxtaposition, the invisible guardians are removed from the spirit of Bhunda Chand. A path is opened in the unseen realms, and once a point of contact was established, mighty powers were put in play along that path.”
“Point of contact?” inquired the other. “Do you mean that lock of Bhunda Chand’s hair?”
“Yes. All discarded portions of the human body still remain part of it, attached to it by intangible connections. The priests of Asura have a dim inkling of this truth, and so all nail trimmings, hair and other waste products of the persons of the royal family are carefully reduced to ashes and the ashes hidden. But at the urgent entreaty of the princess of Khosala, who loved Bhunda Chand vainly, he gave her a lock of his long black hair as a token of remembrance. When my masters decided upon his doom, the lock, in its golden, jewel-encrusted case, was stolen from under her pillow while she slept, and another substituted, so like the first that she never knew the difference. Then the genuine lock travelled by camel-caravan up the long, long road to Peshkhauri, thence up the Zhaibar Pass, until it reached the hands of those for whom it was intended.”
“Only a lock of hair,” murmured the nobleman.
“By which a soul is drawn from its body and across gulfs of echoing space,” returned the man on the mat.
The nobleman studied him curiously.
“I do not know if you are a man or a demon, Khemsa,” he said at last. “Few of us are what we seem. I, whom the Kshatriyas know as Kerim Shah, a prince from Iranistan, am no greater a masquerader than most men. They are all traitors in one way or another, and half of them know not whom they serve. There at least I have no doubts; for I serve King Yezdigerd of Turan.”
“And I the Black Seers of Yimsha,” said Khemsa; “and my masters are greater than yours, for they have accomplished by their arts what Yezdigerd could not with a hundred thousand swords.”
* * *
Outside, the moan of the tortured thousands shuddered up to the stars which crusted the sweating Vendhyan night, and the conchs bellowed like oxen in pain.
In the gardens of the palace the torches glinted on polished helmets and curved swords and gold-chased corselets. All the noble-born fighting-men of Ayodhya were gathered in the great palace or about it, and at each broad-arched gate and door fifty archers stood on guard, with bows in their hands. But Death stalked through the royal palace and none