back, staring up at the ceiling, Carla always adding more hot water, his fingers and toes like raisins, and when you went in to ask if he were ready, he’d look up with those pleading, impatient eyes, as if you were too stupid to comprehend the seriousness of Edgar’s work in the bath. Remy loved seeing those eyes again, staring at him from his mother’s embrace, across the room. In fact, the moment was so nice he didn’t have the heart to ask Carla where he was going.
AT NIGHT, The Zero was lit like a stage. Or a surgery. It was quiet—not exactly peaceful, but a person could think. The work seemed less showy to Remy, the loss more personal, less produced than during the day, when everyone posed for photographers and TV cameras, when grief and anger became competitive sports. At night people were left alone with their emptiness. The bucket brigades mostly gave up their symbolic place and the pails sat in huge piles, while a skeleton crew worked quietly, without the frantic edge of the daytime workers. Generators chugged and machines ground away and men hid in the long shadows behind the spotlights. Remy liked the night better. It felt…appropriate. For another thing, in the darkness there were fewer streaks and floaters. The world behaved, stood still.
Near him, three firefighters sat on the edges of collapsed wall, eating their lunches from metal buckets, respirators hung around their necks, legs dangling, like kids fishing from a dock. Forty feet away, a masked construction worker sat on his yellow iron horse, its massive jaws pointed down, waiting for permission to nibble at the pile. Below them ran the soft grinding hum of idling trucks and heavy equipment and portable generators, the hushed conversations of engineers and welders. At Remy’s feet, someone had made a pile of popped rivets; it looked like a marble collection. Was this an official pile with some purpose, Remy wondered, or the obsession of someone who didn’t know what else to do down here? There were so many people standing around, dying to do something. Anything. Had he made this pile himself? He didn’t think so, but the rivets made him uneasy and he felt the urge to leave. He drifted and found himself on a side street, staring at a line of scorched, mashed cars, picked up and stacked four deep, bumpers and side mirrors snapped off, bits of burned rubber clinging to the rims of the wheels.
Remy walked the bent edge of the city, everyday things suddenly as mysterious and suggestive as archaeological artifacts. Coffee cups. Parking meter heads. Edgar had written a paper once about Pompeii, and Remy kept thinking about the pictures he downloaded, the plaster casts of victims covering their faces, plates and tureens and sandals, the sudden artifacts of lives frozen by shit luck. Then something else in the street caught Remy’s attention, gray and familiar, until it focused under his eyes: an airline seat belt. Debris from the planes went in specially marked bins, so Remy picked up the belt and carried it over, dropped it in with engine parts and seat cushions. Nearby, beneath a tarp, dog handlers were feeding two panting German shepherds, while a third curled up and napped against a twisted I beam. The dogs watched Remy,sniffed the air, decided he wasn’t a corpse yet, and put their heads down together. Remy took a wide berth in case they changed their minds. Across West Street he found himself inside WF II, cold, dark, and empty, the face of the building scarred and scorched, the marble lobby coated with light gray soot and strewn with broken glass and paper, along with detritus from the firefighters—tables and foldout chairs, mattresses, water bottles, and ladders. His flashlight hit something in the middle of the room: a shoe. He walked over, bent to look at it, picked it up: Size eleven. Loafer. He tried to think of a scenario in which its owner was alive, but his imagination failed him. He flipped the tassel, turned it over, and set it