cried. And I ran out the door after Emma and her mother.
But they were already gone.
I ran around the block a few times, searching for them, not knowing where to go. It was a drizzly and chilly night, but I sure didnât want to go back inside the Café, so finally, after about ten minutes, I just went home. First thing when I got back to the apartment, I called Emmaâs house. (Emma didnât have a cell anymore because she kept losing them, and Mrs. Hartley had decided to teach her a lesson about Personal Responsibility.) One of Emmaâs four slobby brothersâI think it was Sethâanswered and promised to give Emma the message. So I waited. But she never called back. Then I tried calling her house again. And then again, about twenty minutes later. But both times the phone just rang and rang.
So thatâs how I knew that she was really, really mad. Not just at Mom, but amazingly, at me. Even though I hadnât known anything about Momâs performance ahead of time. Even though, as soon as Iâd figured it out, Iâd begged Emma to leave.
So I started to cry. Which is not something I did very often. But this was a special occasion.
I thought about calling Dad right then. Heâd be the perfect person to talk to, I thought, because he totally understood about Mom. But it was a Saturday night. He was probably out somewhere with The Horrible Mona Woman, if he happened to be in town. And anyway, even if he was around to answer, he was a picture person, not a word person, and especially not a words-on-the-telephone person. So I stopped dialing his cell mid-number, and called Gram instead.
âOh, cookie,â she said as soon as she heard my voice. âWhat happened ?â
âYour daughter just ruined my life,â I said, bursting into tears all over again. Finally I stopped crying and told her about the Two Beez Café.
She listened, making little tsk, tsk sounds every once in a while, so I could tell she was still there. Then she said, âWell, Becca is a very difficult person sometimes. This is not news, Mari.â
âI know!â
âShe put you in a terrible spot with your friend. And thereâs never any excuse for humiliating anybody. Especially in public.â
âI know.â Gram was great.
âBut it sounds to me as if your friendâs mom dealt a low blow. And struck first.â
âWhat?â I sniffled. âAnyway, so what if she did?â
âWell, nobody insults your momâs art. We may not always care for it, honey, but itâs who she is.â
I didnât answer.
âAnd nobody, I mean nobody, insults her as a mother. Thatâs what she cares about more than anything .â
I wiped my nose. âWell, if she cares about being a mother so much, why did she just wreck the best friendship I ever had?â
âOh, Marigold. If Emma is really your best friend, sheâll calm down. And sheâll realize you had nothing to do with Beccaâs performance.â
âOkay,â I said doubtfully. âBut what if she doesnât?â
âShe will. Just give your friend some time.â
âOkay.â It wasnât like I had much of a choice, anyway.
âAnd Mari?â She paused. âWill you do something for me, cookie? Try sometimes to understand your momâs point of view.â
â Her point of view?â
Gram laughed. âShe has one, strangely enough.â
By the time Mom and Kennedy got home from the Two Beez about a half hour later, Gram had called Mom on her cell, so she had some microscopic clue about what I was feeling.
âOh, Mari, try not to overreact,â she said as she scrubbed off her makeup in the bathroom. âEveryone thought Nu-Trisha was hilarious. Beau and Bobbi said it was maybe my best performance ever.â
âYeah?â I said. âWell, Mrs. Hartley didnât think it was funny.â
âShe will when she has a chance to
Margaret Weis, Tracy Hickman