product was up in the air. He hated that fluffy sort of artist talk, but it was true: he just had to feel it.
Before he could feel anything, though, he needed coffee.
Jeans on, boots on, mug in hand, he headed out the back door to the garage to wait for inspiration to strike.
Instead of inspiration, though, he got a dose of Mother Pollyanna in shorts and a tank top, hands on hips, glaring at the remains of Myronâs garden.
She must have heard him step stealthily off the back porch (damn work boots), because she turned to him.
And smiled.
God, she had a great smile.
Walker took a sip of his coffee.
âMorning,â she said. He gave a little wave and headed toward the garage.
âOh, hey,â she said, holding out a hand to stop him as he passed. âIâm really sorry about the other day. About waking you up with that couch?â she added when he looked confused.
âThatâs okay,â he said, trying hard not to remember the different ways he had considered murdering her and Josh McGuire.
âI used to work nights. It totally messes up your sleep schedule, right? They did not make blackout curtains strong enough to convince me that it was possible for me to sleep during the day.â
She was being sweet. She needed to stop being sweet. Or he needed to remember that he didnât do sweet. He liked a woman with a hard edge and a mean streak. He didnât like women who apologized for their mistakes and wore purple short-shorts.
âAnyway, Iâll try to be more quiet.â She gave him that million-dollar Pollyanna smile again. âIâm Lindsey, by the way.â
He shook her hand, then retreated quickly to the coffee.
âYouâre Walker, right? I mean, Iâd hate to think this whole time Iâve been . . .â She trailed off.
This whole time sheâd been what, exactly?
âItâs just funny that we havenât met since I moved in, is all. Youâd think with sharing the number of walls we share that weâd run into each other more often. I guess our schedules are really different.â
Walker eyed the garage door. He was so close . . .
âSo . . . Mary Beth tells me youâre an artist. Thatâs so interesting. I saw some pictures of your work online but Iâd love to see . . .â
He didnât hear the rest of it. He never talked about his art in progress with anyone. Anyone except Myron, and barely that. He didnât even talk anything beyond vague concepts with Madison, and she was the one who signed the checks. So he definitely wasnât going to suddenly start talking about it with Pollyanna in her purple shorts and her messy ponytail and her great legs.
He grunted, which meant good-bye, and stalked into the garage to hide from the pretty lady, and, hopefully, to get some damn work done.
Â
Lindsey watched Walkerâs retreating back as he stalked into the garage. It was a nice back. The whole view was nice. Too bad he was such a . . . what was he? Maybe he just wasnât a morning person.
Or maybe he was a jerk.
She didnât like that. They didnât need to be besties, but a cordial relationship would be nice. Maybe, over time, heâd mellow out and just be unpleasant.
But, man, she wanted to get into that garage.
No. It was none of her business, and he had made it abundantly clear that she was not welcome.
Or had he? Maybe he was just shy! Maybe heâd had a rough life on the streets and didnât know how to accept peopleâs kindness! Maybe he secretly wanted to show off his work, but his fear of rejection was so great that it paralyzed his social skills!
Or maybe he wasnât making art at all. Maybe he was making meth.
Okay. Now weâre getting crazy, she told herself. Detective Lindsey could sometimes go into overdrive and become Crazy Paranoid Lindsey. What she really needed to do was respect his wishes, and if Walker came around to wanting her in his studio,