comes on the side when you order a
Reebok dinner?''
`Ìt's a Japanese electronics company.''
I laughed dryly. ``Who're you kidding, mister? The Japs can't even make wind-up toys
without getting the springs in
upside down.''
``Not now,'' he agreed, `ànd speaking of now, Clyde, when is now? What year is it?''
``1938,'' I said, then raised a half-numb hand to my face and rubbed my lips.
``Wait a minute--1939.''
`Ìt might even be 1940. Am I right?''
I said nothing, but I felt my face heating up.
``Don't feel bad, Clyde; you don't know because I don't know. I always left it vague.
The time-frame I was trying for
was actually more of a feel . . . call it Chandler American Time, if you like. It
worked like gangbusters for most of my
readers, and it made things simpler from a copy-editing standpoint as well, because
you can never exactly pinpoint the
passage of time. Haven't you ever noticed how often you say things like `for more
years than I can remember' or
`longer ago than I like to think about' or `since Hector was a pup'?''
``Nope--can't say that I have.'' But now that he mentioned it, I did notice. And that
made me think of the L.A. Times. I
read it every day, but exactly which days were they? You couldn't tell from the paper
itself, because there was never a
date on the masthead, only that slogan which reads `Àmerica's Fairest Newspaper in
America's Fairest City.''
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``You say those things because time doesn't really pass in this world. It is . . .''
He paused, then smiled. It was a terrible
thing to look at, that smile, full of yearning and strange greed. `Ìt is one of its
many charms,'' he finished.
I was scared, but I've always been able to bite the bullet when I felt it really
needed biting, and this was one of those
times. ``Tell me what the hell's going on here.''
`Àll right . . . but you're already beginning to know, Clyde. Aren't you?''
``Maybe. I don't know my dad's name or my mom's name or the name of the first girl I
ever went to bed with because
you don't know them. Is that it?''
He nodded, smiling the way a teacher would smile at a pupil who's made a leap of logic
and come up with the right
answer against all odds. But his eyes were still full of that terrible sympathy.
`Ànd when you wrote San Diego on your gadget there and it came into my head at the
same time . . .''
He nodded, encouraging me.
`Ìt isn't just the Fulwider Building you own, is it?'' I swallowed, trying to get rid
of a large blockage in my throat that
had no intention of going anywhere. ``You own everything.''
But Landry was shaking his head. ``Not everything. Just Los Angeles and a few
surrounding areas. This version of Los
Angeles, that is, complete with the occasional continuity glitch or made-up
addition.''
``Bull,'' I said, but I whispered the word.
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``See the picture on the wall to the left of the door, Clyde?''
I glanced at it, but hardly had to; it was Washington crossing the Delaware, and it
had been there since . . . well, since
Hector was a pup.
Landry had taken his plastic Buck Rogers steno machine back onto his lap, and was
bending over it.
``Don't do that!'' I shouted, and tried to reach for him. I couldn't do it. My arms
had no strength, it seemed, and I could
summon no resolve. I felt lethargic, drained, as if I had lost about three pints of
blood and was losing more all the time.
He rattled the keys again. Turned the machine toward me so I could read the words in
the window. They read: On the
wall to the left of the door leading out to Candy-Land, Our Revered Leader hangs . . .
but always slightly askew. That's
my way of keeping him in perspective.
I looked back at the picture. George Washington was gone, replaced by a photo of
Franklin Roosevelt. F.D.R. had a grin
on his face and his cigarette holder