jutting upward at that angle his supporters think
of as jaunty and his detractors as
arrogant. The picture was hanging slightly askew.
`Ì don't need the laptop to do it,'' he said. He sounded a little embarrassed, as if
I'd accused him of something. `Ì can
do it just by concentrating--as you saw when the numbers disappeared from your
blotter--but the laptop helps.
Because I'm used to writing things down, I suppose. And then editing them. In a way,
editing and rewriting are the most
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fascinating parts of the job, because that's where the final changes--usually small
but often crucial--take place and the
picture really comes into focus.''
I looked back at Landry, and when I spoke, my voice was dead. ``You made me up, didn't
you?''
He nodded, looking strangely ashamed, as if what he had done was something dirty.
``When?'' I uttered a strange, croaky little laugh. `Òr is that the right question?''
`Ì don't know if it is or isn't,'' he said, `ànd I imagine any writer would tell you
about the same. It didn't happen all at
once--that much I'm sure of. It's been an ongoing process. You first showed up in
Scarlet Town, but I wrote that back
in 1977 and you've changed a lot since then.''
1977, I thought. A Buck Rogers year for sure. I didn't want to believe this was
happening, wanted to believe it was all a
dream. Oddly enough, it was the smell of his cologne that kept me from being able to
do that--that familiar smell I'd
never smelled in my life. How could I have? It was Aramis, a brand as unfamiliar to me
as Toshiba.
But he was going on.
``You've grown a lot more complex and interesting. You were pretty one-dimensional to
start with.'' He cleared his
throat and smiled down at his hands for a moment. ``What a pisser for me.''
He winced a little at the anger in my voice, but made himself look up again, just the
same. ``Your last book was How
Like a Fallen Angel. I started that one in 1990, but it took until 1993 to finish.
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I've had some problems in the interim.
My life has been . . . interesting.'' He gave the word an ugly, bitter twist.
``Writers don't do their best work during
interesting times, Clyde. Take my word for it.''
I glanced at the baggy way his hobo clothes hung on him and decided he might have a
point there. ``Maybe that's why
you screwed up in such a big way on this one,'' I said. ``That stuff about the lottery
and the forty thousand dollars was
pure guff--they pay off in pesos south of the border.''
`Ì knew that,'' he said mildly. `Ì'm not saying I don't goof up from time to time--I
may be a kind of God in this
world, or to this world, but in my own I'm perfectly human--but when I do goof up, you
and your fellow characters
never know it, Clyde, because my mistakes and continuity lapses are part of your
truth. No, Peoria was lying. I knew it,
and I wanted you to know it.''
``Why?''
He shrugged, again looking uneasy and a little ashamed. ``To prepare you for my coming
a little, I suppose. That's what
all of it was for, starting with the Demmicks. I didn't want to scare you any more
than I had to.''
Any private eye worth his salt has a pretty good idea when the person in the client's
chair is lying and when he's telling
the truth; knowing when the client is telling the truth but purposely leaving gaps is
a rarer talent, and I doubt if even the
geniuses among us can tap it all the time. Maybe I was only tapping it now because my
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brainwaves and Landry's were
marching in lock-step, but I was tapping it. There was stuff he wasn't telling me. The
question was whether or not I
should call him on it.
What stopped me was a sudden, horrible intuition that came waltzing out of nowhere,
like a ghost oozing out of the
wall of a