Tags:
United States - Emigration and immigration,
United States,
Refugees - United States,
Biographical,
Deng; Valentino Achak,
Refugees - Sudan,
Biographical fiction,
Fiction,
Literary,
Sudan,
Sudanese,
Historical fiction,
Sudan - Emigration and immigration,
General,
Refugees,
Sudan - History - Civil War; 1983-2005,
Sudanese - United States
sleep. I settled in among the boys and closed my eyes, determined to never again be left outside the circle of sleep.
Each night of our walk, TV Boy, sleep was a problem. Whenever I woke in the dark hours I saw other eyes open, mouths whispering prayers. I tried to forget these sounds and faces and I closed my eyes and thought of home. I had to bring forth my favorite memories and piece together the best of days. This was a method taught to me by Dut, who knew that we boys would walk better, would complain less and require less maintenance if we had slept properly. Imagine your favorite morning! he yelled to us. He was always barking, always bursting with energy. Now your favorite lunch! Your favorite afternoon! Your favorite game of soccer, your favorite evening, the girl you love most! He said this while walking along our line of sitting boys, talking to our heads. Now create in your mind the best of days, and memorize these details, place this day center in your mind, and when you are the most frightened, bring forth this day and place yourself within it. Run through this day and I assure you that before you are finished with your dream-breakfast, you will be asleep. As unconvincing as it sounds, TV Boy, I tell you, this method works. It slows your breathing, it focuses your mind. I still remember the day I made, the best of days, stitched together from so many. I will tell it to you in a way you will understand. It is my day, not yours. It is the day I memorized and the day I still feel more vividly than any here in Atlanta.
IV.
I am six years old, and am required to spend a few hours of each day in a pre-elementary class in the one-room school of Marial Bai. I am here with other boys of my age-set, those within a few years of me, older and younger, learning the alphabet in English and Arabic. The school is tolerable, is not yet tedious, but I would rather be outside, so my dream-day begins when I arrive for school and it is canceled. You are too brilliant! the teacher says, and orders us home, to play and make of the day whatever we wish.
I go home to see my mother, who I left only twenty minutes earlier. I sense that she misses me. My mother is my father’s first wife, and she lives in the family compound with his other five wives, with whom she is friendly, even sisterly. They are all my mothers, TV Boy, as odd as that sounds. Very young children in southern Sudan are very often unsure who the birth mother is, so integrated are the wives and their children. In my family, the children borne by all six women play together and are considered family without barrier or reservation. My mother is one of the midwives of the village, and has aided in the delivery of all but one of my siblings. My brothers and sisters are as old as sixteen and as young as six months, and our compound is full of the sounds of babies, their screams and their laughs. When I am asked to, I help with the infants, carrying them when they wail, drying their wet clothes near the fire.
I run from the school and sit next to my mother as she repairs a basket partially chewed by one of our goats. I spend a long moment contemplating her beauty. She is taller than most women, at least six feet, and though she is as thin as any woman in the village, she is as strong as any man. She dresses bravely, always in the most glorious yellows and reds and greens, but she favors yellow, a certain yellow dress, the pregnant yellow of a setting sun. I can see her across any land or through any brush, can see her from as far away as my eyes can penetrate: I have only to look for the swishing column of yellow, moving toward me across the field, to know my mother is coming. I often thought I would like nothing better than to live forever under her dress, clinging to her smooth legs, feeling her long fingers resting on the back of my neck.
—What are you staring at, Achak? she asks, laughing at me, using my given name, the name I used until it was overtaken by